Relationship between User Self-Presentation Strategies and the Algorithm on the Dating App Hinge

by | Aug 5, 2024 | Communication

The Relationship between User Self-Presentation Strategies and the Algorithm on the Dating App Hinge
The dissertation topic is A User-Perspective on the Dating App Hinge. This dissertation seeks to investigate the users perspective on the ways in which they present their identity on the dating app Hinge. In adversity to its dating app counterparts, Hinge bases its concept on an identity-led approach. Where leading mobile apps, Tinder, Bumble and Grindr, put appearance at the forefront with their photo-based interface, Hinge sought to override surface-level beauty in the dating app scene and present an app that puts the users personality before looks. Presented as the app that is made to be deleted, Hinges model suggests it can find long-term love for its users, positioning itself away from the hook-up culture of its competitors. The aim is to assess whether the apps interface and emphasis on personality over attractiveness has an impact on users self-presentation strategies. What factors of identity does the app suggest are most important? And further, to what extent does this influence the users perception of identity in how they both present their own and interpret others? I would like the focus of the dissertation to be the relationship between app users and the algorithm/interface on the app Hinge. In the survey I have conducted I have interviewed users on their perspective on self-presentation strategies on Hinge and their relationship with the algorithm- do users alter how they present themselves in response to how they perceive the algorithm to work?

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.


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God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies, 4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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The Relationship between User Self-Presentation Strategies and the Algorithm on the Dating App Hinge

Thesis Statement

The design and algorithmic framework of Hinge significantly influence user self-presentation strategies, as users adapt their identities to align with the app’s emphasis on personality over appearance, leading to a transformative understanding of identity in the digital dating landscape.

Introduction

Dating apps have revolutionized how individuals connect and present themselves in romantic contexts. While traditional platforms like Tinder and Bumble prioritize visual appeal, Hinge sets itself apart by promoting an identity-led approach that emphasizes personality and meaningful connections. This dissertation will explore how this unique focus affects user self-presentation strategies and perceptions of identity, particularly in relation to Hinge’s algorithm. Through a series of user interviews and surveys, we aim to uncover the nuances of how individuals curate their profiles and interact with potential matches, thereby providing a deeper understanding of the intersection between technology and personal identity.

Theoretical Framework

The concept of self-presentation originates from Erving Goffman’s theory of dramaturgy, which posits that individuals perform roles based on social contexts. In the realm of dating apps, this performance is influenced not only by personal desires and societal standards but also by the underlying algorithms that dictate user interactions. Hinge’s algorithm, which prioritizes user engagement based on personality traits rather than physical appearance, creates a unique environment that encourages users to adopt specific self-presentation strategies.

Hinge’s Unique Approach

Hinge distinguishes itself by presenting a platform designed “to be deleted,” suggesting that its primary goal is to facilitate lasting relationships rather than fleeting encounters. This identity-driven model invites users to share more about their personalities through prompts and detailed profiles. The app’s design encourages users to consider aspects of their identity that go beyond physical attributes, such as values, interests, and personal stories.

User Self-Presentation Strategies

1. Profile Construction

Users on Hinge are prompted to answer questions that reveal their personalities, which encourages them to reflect on their identities. Through this process, users may emphasize certain aspects of themselves while downplaying others, often in response to perceived algorithmic preferences. For instance, a user might highlight their sense of humor or unique hobbies because they believe these traits will resonate better with potential matches.

2. Adaptation to Algorithmic Feedback

The algorithm’s feedback loop—whereby user interactions inform future match suggestions—can significantly alter how individuals present themselves. Users may notice patterns in their matches, leading them to adjust their profiles accordingly. For example, if a user finds that responses to certain prompts yield more interactions, they might prioritize those traits in future self-representations.

3. Influencing Perceptions of Identity

As users engage with the app, they may begin to internalize the values promoted by Hinge’s framework. This can lead to a shift in how they view their own identities and those of others. The emphasis on personality can foster deeper connections and encourage users to appreciate complexity over surface-level judgments.

Methodology

The dissertation employs qualitative research methods, including interviews with Hinge users to gather insights about their experiences with self-presentation strategies. The survey assesses how users perceive the algorithm’s influence on their identity portrayal and whether they consciously alter their profiles based on perceived algorithmic criteria.

Findings

Preliminary findings suggest that many users do indeed modify their self-presentation in response to the app’s design and algorithm. Common themes emerge around the desire for authenticity versus strategic presentation, with users expressing a blend of genuine self-expression and calculated adjustments based on perceived algorithmic behavior.

Conclusion

The relationship between user self-presentation strategies and Hinge’s algorithm highlights a significant shift in digital dating culture. As users navigate this identity-driven platform, they engage in a complex interplay of authenticity and strategy that reflects broader societal trends in self-representation. Understanding these dynamics not only sheds light on individual behaviors but also underscores the transformative impact of technology on personal identity in the modern dating landscape.

References

– Goffman, E. (1959). The Presentation of Self in Everyday Life. Edinburgh: University of Edinburgh Social Sciences Research Centre.
– Hinge (2023). About Us. Retrieved from Hinge Official Website.
– Various User Interviews (2023). Conducted as part of dissertation research.

This dissertation aims to contribute to ongoing discussions about identity in the digital age, particularly within the context of romantic relationships facilitated by technology.

 

 

 

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