Write an analysis that uses TWO of the poems listed below:

“An Introduction to Poetry” by Billy Collins
“Poetry Should Ride the Bus” by Ruth Forman
“a poem is a city” by Charles Bukowski
“History Lesson at Eight a.m.” by Kwame Dawes
“The Road Not Taken” by Robert Frost
“Jabberwocky” by Lewis Carroll
“Notes from the City of the Sun” by Bei Dao
“I am the Walrus” by John Lennon and Paul McCartney
“It’s Alright Ma (I’m Only Bleeding)” by Bob Dylan
“Bilingual Sestina” by Julia Alvarez
“The Weary Blues” by Langston Hughes
“A Bird came down the Walk” by Emily Dickinson
Criteria:

1.) What theme/message do they convey? You may use the different works as illustrations of the particular theme, or you may compare and contrast the works based on the theme (see sample outline provided in module, review from Comp. I).

Possible Thematic Topics (choose 1):

clarity/understanding
identity, race
social/relational position, politics
societal concerns
fear, disconnect
experience/interactions
(If you want to use another theme, no problem, just ask first.)

Furthermore, in your analysis, focus on TWO of the poetic elements we’ve encountered covered this far in the class.

2.) Poetic Elements (choose 2):

Allusion
Form
Imagery
Symbolism
Rhyme scheme
Irony
Diction
Tone
Assonance
Alliteration
Personification
Repetition
Metaphor
Simile
(If you want to use another poetic element, no problem, just ask first.)

*Make sure that you read any introductory material, or any material related to the poetic element, as these items may give you insight into the particular poem.

 

3.) Research: Find and integrate TWO outside sources to support your analysis and interpretation of each of your chosen poems. You may use the credible websites and the library resources provided.

 

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Sample Answer

Sample Answer

 

 

 

Analysis of “The Road Not Taken” by Robert Frost and “The Weary Blues” by Langston Hughes

Thesis Statement:

In Robert Frost’s “The Road Not Taken” and Langston Hughes’ “The Weary Blues,” the themes of choice, individuality, and consequences are explored. These poems utilize imagery to depict the consequences of choices made, while also employing tone to convey the emotions and reflections of the speakers.

Theme: Choice and Consequences

In “The Road Not Taken,” Frost reflects on a moment of decision-making, where the speaker must choose between two paths. The poem explores the idea of choice and the consequences it bears on one’s life. The fork in the road symbolizes the various decisions individuals make, each leading to different outcomes. Frost’s use of imagery, such as the diverging paths and the sigh at the end, highlights the speaker’s contemplation of the road not taken and its impact on his future.

In “The Weary Blues,” Hughes delves into the theme of choice through the portrayal of a musician playing the blues. The musician’s choice to express his emotions through music reflects a deeper desire for individuality and self-expression. The imagery of the “Weary Blues” and the musician’s lamentation captures the consequences of societal pressures and struggles faced by African Americans. Hughes uses tone to convey the melancholy and weariness of the musician, emphasizing the weight of his choices in a society that often stifles his voice.

Poetic Elements: Imagery and Tone

Both Frost and Hughes employ imagery to vividly depict their themes of choice and consequences. Frost’s depiction of the diverging paths in “The Road Not Taken” creates a visual representation of decision-making and its lasting impact. The imagery of the yellow wood and undergrowth adds depth to the speaker’s contemplation and emphasizes the significance of the chosen path.

In “The Weary Blues,” Hughes uses imagery to paint a picture of the musician and his emotional state. The vivid descriptions of the musician playing the blues at midnight evoke a sense of loneliness and despair. The imagery of the piano keys and the singer’s voice conveys the emotional weight of his music, highlighting the consequences of his choices in a prejudiced society.

Additionally, tone plays a crucial role in conveying the emotions and reflections of the speakers in both poems. Frost’s contemplative tone in “The Road Not Taken” reflects the speaker’s introspection and uncertainty about his decision. The regretful sigh at the end encapsulates the weight of choices made and unmade, leaving readers to ponder their own paths not taken.

In contrast, Hughes’ somber tone in “The Weary Blues” captures the weariness and resignation of the musician as he sings his blues. The tone reflects the societal pressures and struggles faced by African Americans, emphasizing the consequences of their choices in a discriminatory world.

Conclusion

Through their exploration of choice, consequences, and individuality, Robert Frost’s “The Road Not Taken” and Langston Hughes’ “The Weary Blues” offer profound insights into human experiences. By employing imagery to depict decision-making and tone to convey emotions, these poems resonate with readers on a deep emotional level. The themes and poetic elements utilized in these works showcase the power of poetry to illuminate life’s complexities and provoke introspection.

 

 

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