A written research paper of 10-12 pages (double-spaced, one-sided), drawing on multiple primary cultural and
secondary scholarly sources to explore the work of a contemporary artist or artists to be chosen in consultation
with instructor, which will allow investigation of significant aspects of importance to cultural, political and social
histories of portions of the larger region known as “the Middle East.”
Based on my proposal to write the paper please.
2 suggestion:1) Identify additional secondary sources that focus on the contemporary aspect.
2) Narrow the field somewhat by choosing a focus on a limited number of artists and their projects, perhaps
also narrowing the geographical focus as well to concentrate on a specific country of origin or smaller region
within the larger “Islamic world” (which arguably could be extended to include places far outside the Arab
World, Iran or Turkey such as Indonesia or Pakistan).
Richmond Beach was my otherworldly home base in my youth. It is a rough sea shore in the city of Richmond Beach, which can be gotten to by a long downhill drive (via vehicle or bike) from the city of Edmonds. Or then again, as I did regularly, went for the 30-minute stroll from my home to the quiet waters through a peaceful walk around the forested areas of Woodway. It used to be a spot possessed by Native Americans, yet now it is involved by generally Caucasian individuals. In any case, a chain of command remains in tribute to the clans that used to call the sea shore home. It has a huge property, with a sea shore, a play area, two upper gardens for the view and entertainment, bunch "mystery" trails along the earth slopes, cookout zones, and a square where individuals can stroll around, scrub down after a dip, and seats for the stupendous view. With the sagebrush, prattling fowls, train tracks, the croak of frogs, wind, herons, different shells, a cavern along the sea shore, and a fabulous perspective on the Olympic Mountains, Richmond Beach is without a moment's delay normal and exceptional. Being there brings you into another state, in which you need to introspect, be quiet, and be certain. In secondary school, I was not an exceptionally social individual. I didn't have such a large number of companions, and I didn't feel like I had a place in a gathering more often than not. Be that as it may, when I went to Richmond Beach, these stresses were deserted. It appeared to be an enchanted spot to me, and as it were, it despite everything does. I would stroll to different places on the sea shore: a mystery collapse the mud slopes on the left, the train tracks that lead right from Seattle to Chicago, the mass of sagebrush where the song of winged creatures made for a quiet scene, and obviously the sea shore itself, which was dissipated with shells, tide pools, crabs, seals, driftwood, remainders of gatherings, and then some. The passing trains consistently pulled in me there also. My first word was "choo," since the initial three years of my life was almost a train station in the Greenlake zone of Seattle. Along these lines, I had a calling towards trains since my introduction to the world. Strolling the tracks, I would meet intriguing individuals, figure out how to realize when trains were getting through the vibration and singing of the rails, and would be submerged in a world with a backwoods on one side and the Puget Sound and the other. This blend of timberland and sea was charming, and caught my creative mind. I composed numerous lyrics about this spot, and have been constantly roused by the climate there. Truth be told, my verse has grown to a great extent at Richmond Beach. No what other place have I composed such a significant number of lyrics—aside from maybe on open vehicle. I began composing melodious and account verse around 11 years old, and have proceeded since. For as far back as hardly any years, I have been composing only haiku. A great deal of my haiku is motivated by the idea of Richmond Beach, how I identify with it profoundly, and by the individuals who used to possess that land—as I feel an uncommon association with Native Americans. It appears that Richmond Beach is one of those spots that regardless of how awful you believe, you will leave feeling relieved and recharged. It resembles treatment just to stroll around, feel the ionic breeze of the Puget Sound, smell the ocean growth and dampness, hear the assortment of feathered creatures singing, tune in to the smashing of moderate waves, witness the boats and different vessels on the water, take in the Olympic mountains in the entirety of their wonder, see individuals having fun on the sea shore, the whistle and trucking of an inaccessible train, and feel the sand on the bottoms of your feet, merging into one another with each progression. It is an entire helpful bundle. It will be difficult to ever overlook Richmond Beach. It is presently interlaced in my verse, adolescence, profound life, family life, sentimental recollections, and even the death of my dad, whose cinders was spread there. Thus, at whatever point I visit Richmond Beach, these components rest in my brain and soul. There are different spots that mix my creative mind and supply me with wistful surges, however Richmond Beach is at the highest priority on my rundown.>GET ANSWER