A Five-Point Plan Analysis + Theme Description The novel The Old Man and the Sea was composed by Ernest Hemingway. It centers around Santiago, a maturing and gifted angler who fights with an epic marlin in the GulfofMexico. The themes in the story include: the lions on the shoreline and torturous killing. In the novel, Santiago every now and again dreams about lions on the shoreline: The first run through is on the eve of his angling undertaking, the second one happens when he rests in the midst of his tussle with the marlin, while the third happens at end of the novel. The lions show up as offspring, symbolizing his childhood. When they later show up as grown-ups, they mean incredible respectability and quality. This furnishes Santiago with inspiration, desire and essentialness that lead him toward achieving his motivation. These fantasies propose life's round nature: The concordance between contradicting powers of nature, which are love and despise, life and demise, and devastation and recovery. The execution symbolism is a clear manner by which Santiago is compared to Christ.Similar to Christ, Santiago is persistent and humble. In addition, the delineation of the old man battling tough with his pole on his shoulders takes after Christ's stroll toward Calvary. There is an unmistakable impression of Christ on the cross when Santiago in the long run rests on his bed, with his draining arms extended. The creator utilizes the execution of Christ to epitomize amazing quality by switching rout into triumph, misfortune into gain, and demise into restored life. The primary subject of the story is gallantry. Santiago compensates for his age with his continuance to withstand craving, torment and separation. He doesn't accuse the sharks for grabbing the marlin, however he recognizes that it is his misstep to have wandered far internal into the ocean. As a fisher who has gotten no fish in 84 days, Santiago is battling against annihilation. In any case, he doesn't yield since he moves promote into the ocean than he has ever cruised previously. He battles with the marlin regardless of his depletion and torment. Subsequent to getting it, he pitifully wards off the sharks. At whatever point the circumstance gets troublesome and he is undermined with despondency, he utilizes different strategies to animate his restriction to overcome: He remembers recollections of his quality while he was youthful through dreams, and some of the time implores God. Santiago has boundless possibilities within the sight of peril. His potential is acknowledged when he figures out how to get the mammoth marlin. Be that as it may, the result is less huge than the battle as he likewise fights with the sharks. Therefore, it isn't generally vital that he brings the marlin home; the imperative thing is he wins the fight, and after the battle he turns into a saint. The story's dark gap is "a man can be crushed however not vanquished". Santiago symbolizes each man's fight to survive. Much the same as Santiago's endeavor to take the marlin to the terrain unblemished is unsuccessful, no man can escape passing. Nonetheless, through Santiago's battle, the creator outlines that getting away from death isn't the significant concern. Santiago sees the words, "a man can be demolished yet not vanquished" near the finish of his tussle with the marlin. In other words, triumph over the unavoidable does not characterize a man. Or maybe, it is his battle against the unavoidable that characterizes him. Explained Bibliography Melling, Philip. "Social Imperialism, Afro-Cuban Religion, and Santiago's Failure in Hemingway's "The Old Man and the Sea." Hemingway Review 26.1 (2006): 6-24. As indicated by the Melling, the battle with the sharks is a noteworthy minute, as Santiago utilizes a destroyed paddle to beat them. Santiago's desire to utilize a slugger rather is essentially critical. This source is creative, in light of the fact that as opposed to performing the representative and hallowed wooden instrument of the Afro-Cuban culture, the creator utilizes Santiago to remember the activities of Joe DiMaggio who was an American baseball legend. DiMaggio was an angler's child, and as a youngster he used to sneak from home to hone with a broken paddle at close-by sandlots. In spite of the fact that Santiago does not have DiMaggio's aptitudes, his mind works like that of a baseball player. DiMaggio was famous amid the World War II, and his significance was reminded to Americans through a tune sung by Lee Brown's band. Santiago's enthusiasm for DiMaggio was profound, and was the result of various media inclusion amid the post-war period. Burhans Clinton S. "The Old Man and the Sea: Hemingway's Tragic Vision of Man." American Literature 31.4 (1960): 446. As indicated by this source, out adrift, Santiago as an angler increases profound knowledge of himself and of his association with his general surroundings. He sees the ocean as a lady who gives or withholds incredible favors. He creates fellowship and love for all animals around him who share perilous and capricious lives. His most profound love for the marlin emerges when he perceives that he should catch it for his calling and pride, and not for his physical need. The creator is far reaching and uses distinctive symbolism to demonstrate that not at all like some other fish, the marlin was to a greater degree an otherworldly element in Santiago's eyes than a negligible physical need. He demonstrates that the marlin is Santiago's commendable adversary. Santiago eventually executes the marlin since he feels that they are presently measures up to and that the marlin is his sibling. The creator claims Santiago has a feeling of blame and depression for cruising inwards into the ocean, just to murder angle that he adored sincerely. He trusts he double-crossed the fish and runs home with a vacant feeling of triumph.>