what type of community service do you envision yourself doing once you are out in the world working? Describe the community service itself. What is it about your chosen community service that you like and why is it important to you to do it?
Pre-1914 Poetry: Comparative Study Analyze the manners by which the city is displayed in William Blake's 'London' (1794) and William Wordsworth's 'Created Upon Westminster Bridge, September 3, 1802'. In your reaction you ought to consider: • The strategies that the artists use to pass on their impressions of the city. • The way(s) in which the artists incorporate references to social, political and individual concerns and the degree to which the lyrics are molded by these. By 1800, London was the greatest city on the planet, with a populace of more than one million. It was a worldwide focal point of energy and supreme wonderfulness, set against a setting of unrest. In spite of the fact that William Wordsworth's 'Formed Upon Westminster Bridge, September 3, 1802' and William Blake's 'London' (1794) both concern the city of London and were composed in a similar period, they introduce the city in altogether different ways. 'Westminster Bridge' is in festivity of the city's greatness and is once in a while severe, Wordsworth just ever composes disparagingly of its subjects. In 'London' be that as it may, Blake who was himself an occupant of London, introduces the city as a place creeping with defilement and overflowing with sickness. In this exposition I will investigate the structure, shape and setting of the ballads, the sonnets' principle topics, dialect and symbolism, how the lyrics depict individuals and society in London and the sights and hints of the city, keeping in mind the end goal to think about top to bottom the distinctive manners by which the city is exhibited. The sonnet 'London' includes four quatrain stanzas, written in versifying tetrameter. Every stanza offers a perspective of different parts of the city as observed by the storyteller on his "meander" (line 1). 'Westminster Bridge' is an Italian poem, which is a solitary fourteen-line stanza. It is composed in measured rhyming. Customarily, the piece shape is related with affection sonnets, and for sure 'Westminster Bridge' could fall under this grouping. The lyric is figuratively isolated into two sections, an eight-line octave and a six-line sestet. It is ordinary for the octave to offer the portrayal or issue and the sestet the determination. In 'Westminster Bridge', Wordsworth utilizes the octave to detail the scene laid out before him, "Boats, towers, vaults, theaters, and sanctuaries lie" (line 6), and the sestet to portray his feelings, "Ne'er observed I, never felt, a quiet so profound!" (line 11). 'London' was distributed in 'Tunes of Experience', one of Blake's collections. As the treasury's title recommends, 'London' speaks to Blake's own involvement, thus the principal individual overwhelms, "I meander through each contracted road" (line 1). This strengthens the issues displayed in 'London' are of individual worry to Blake. So also, 'Westminster Bridge' is composed in the main individual, as it is an individual ordeal being created by Wordsworth at the exact second that he sees the depicted scene. In any case, it doesn't overwhelm the ballad to an indistinguishable degree from it does 'London'. Wordsworth additionally makes utilization of the third individual, "The stream glideth at his own sweet will" (line 12). He does this as he depicts his feelings with a specific end goal to clarify that the experience shows itself as open to all who might care to watch it, instead of utilizing the fairly egotistical option, "The waterway glideth at my own particular sweet will". The rhyme plan of 'London' is ABAB CDCD EFEF GHGH, for instance "road, stream, meet, trouble" (stanza 1). This passes on a feeling of control, specialist and tedium, which is likewise resounded in the ballad's dialect. The meter is infrequently intruded on, the lyric proceeds with one feedback and disclosure after another keeping in mind the end goal to accentuate the degree and number of the issues that exist, not having any desire to harp on any one point as though treating them with disturb. 'Westminster Bridge' adjusts freely to the ABBAABBACDCDCD rhyme plan of the Italian poem. The beat is all the more frequently intruded, with assortment of accentuation and enjambement making changes in the stream. "Dear God! the very houses appear to be snoozing;" (line 13), is a case of a caesura which improves this snapshot of epiphany in which Wordsworth understands that the serenity of the scene is with the end goal that the even the houses have all the earmarks of being dozing. Then again, this shout could truly be Wordsworth communicating his appreciation to God for the scene. In looking at a concentrate from Wordsworth's 'The Prelude', I trust it is sensible to expect that the outcry 'Dear God!' is a profound response since he utilizes "watchman holy people" (line 179) in a metaphor portraying fronts of houses in London. Without a doubt, Wordsworth was a religious man who said in 1812 that he was "eager to shed his blood for the Church of England". It could likewise be a resound of line 2, "Dull would he be of soul who could cruise by", a feedback of the individuals who are snoozing and not perceiving the genuine wonder that the city can offer. Aside, it is additionally vital to consider the time setting of the sonnets as it affects how the city is depicted. As 'London' is set at midnight, the picture of a dim, ignoble London is brought through, "midnight avenues" (line 13), which gives a picture of the rear ways where unbridled or wanton exercises may occur. 'London' isn't catching a specific minute in time yet to a greater degree an excursion through life, "In each cry of each man/In each newborn child's cry of dread" (lines 5-6). This is so since it shows enduring over the socioeconomics of London, as well as crosswise over time. The possibility of a trip through time is additionally shown in the first etching of the lyric, which demonstrates a young man begging an injured old man. 'Westminster Bridge' by differentiate catches a solitary minute in time on September second 1802 and is set amid the early morning, at dawn, "The excellence of the morning" (line 5). This enables Wordsworth to see the city truly in its best light, "Never did the sun all the more delightfully steep" (line 9), giving the best open door for the combination of nature and the city. Political and social issues, shape the ballads intensely, especially 'London'. Blake centers eagerly around political issues, particularly in the third stanza. "Each darkening church horrifies," (line 10) alludes to the mechanical upheaval. This line features Blake's affliction toward the insurgency. Blake experienced childhood in London thus this may be the purpose behind his dismissal of the adjustment in the public eye, however I discover the illustration he gives especially intriguing on the grounds that he was noted similar to a protester, dismissing the Church of England, yet he features how the customary religion of the nation is being harmed by industry. On the other hand it might allude to his nauseate at the rare purifying of the city, which has rather been left to die and decline. The negligible relationship of the congregation with defilement is indiscernible. Blake likewise assaults the government in stanza three, "And the hapless fighter's moan/Runs in blood down Palace dividers" (lines 11-12). The expression "hapless warrior" alludes to one of some disastrous troopers who were sent off by the nation to take up arms, regularly without wanting to and with no care being given to them for their inconveniences. Notwithstanding giving an invaluble benefit in ensuring the nation, the government considered troopers to be negligible pawns in the 'amusement' of war, inconsequential, undefined and effectively supplanted. The other thing noted to "keep running in blood down castle dividers" is the "stack sweeper's cry", which is likewise disregarded by the government. Blake especially detested the slave exchange thus he felt unequivocally about such issues not being address by the nation's pioneers. "Castle" could similarly allude to the places of parliament, with feedback falling soundly on the shoulders of government officials instead of the government. The feedback of the Church and government is a typical topic in Blake's sonnets, for instance in 'The Chimney Sweeper' (ii) from a similar collection in which 'London' was distributed, 'Melodies of Experience', Blake expresses "And are gone to adulate God and his Priest and King/Who make up a paradise of our hopelessness" (lines 11-12). "What's more, are gone", alludes to the guardians of a smokestack sweeper, who have deserted him. The storyteller denounces God and the King for having endeavored to commend his hopeless presence by bogus guarantees of an awesome life, which have not worked out. In the principal stanza, he depicts the lanes and the stream Thames as "contracted" (lines 1 and 2). The word contracted, which is rehashed, likely alludes to the select and official nature of the boulevards. Sanctioned actually signifies 'having extraordinary benefits', thus Blake is likely alluding to the immense number of well off organizations in London, earning cash and turning benefit, compared with the 'shortcoming', 'burden' and destitution of those in the city. Wordsworth likewise makes this differentiation when he portrays London in 'The Prelude', "The riches, the clamor and the excitement/The sparkling chariots with their spoiled steeds", (lines 161-162) and "The scrounger that asks with cap close by" (line 164). 'Outlined' may likewise allude to the way that the lanes are notable and well trodden, mapped, diagrammed. 'Westminster Bridge' makes passing reference to the modern unrest, "All brilliant and sparkling in the smokeless air" (line 8). This line passes on a feeling of freshness and virtue with 'smokeless' recommending that the morning air is free of the mechanical contamination that is so obvious amid the day. Wordsworth's perspective of the mechanical insurgency is altogether different to that of Blake since he recognizes in this line how nature and man can exist together in the city. In the last line, "And all that relentless heart is lying still!" (line 14). Wordsworth alludes to the British Empire, which by 1802 was at its pinnacle. London, being the UK's capital, shaped the 'heart' of the Empire in a political>GET ANSWER