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Closeness in Film Experience: At the Intersection of Cinematic and Human Skin

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Question 2:
Watch Clip 2 from Gangs of New York (Martin Scorsese, 2002) or the clip from Hero (dir. Zhang Yimou, 2002) posted in part 2. How does THIS SCENE ‘put melos into drama’, as Elsaesser describes it. Give specific examples from the scene to support your argument.

Reference: Elsaesser, Thomas 1972. ‘Tales of Sound and Fury: Observations on the Family Melodrama’. Monogram no. 4, pp. 174-179: ‘Putting melos into drama’.
Note: the Readings and Resources version of this part of the article has different page numbers, but is the same.

Question 3:
Watch Clip 3 from The Great Gatsby (dir. Baz Luhrmann 2013). How does THIS SCENE use narrative as a ‘scaffold, matrix or web that allows for a wide range of aesthetic effects and experiences’, as Hansen writes (quoted in Rutherford). Give specific examples from the scene to support your argument.

Reference: Rutherford, Anne. 2011. What Makes a Film Tick? : Cinematic Affect, Materiality And Mimetic Innervation. Bern, Switzerland: Peter Lang, pp. 37-43: ‘A paradigm shift in film studies’.

Question 4:
Watch Clip 4 from Crouching Tiger Hidden Dragon (dir. Ang Lee 2000). How does THIS SCENE work to enhance the kind of embodied spectatorship that Hiltunen discusses. Give specific examples from the scene to support your argument.

Reference: Hiltunen, Kaisa. Closeness in Film Experience: At the Intersection of Cinematic and Human Skin.

Sample Solution

determine irrationality of a suicide if there was no way possible of the individual knowing; it can only be judged if there was no attempt to get it from reliable sources (Battin 137-138). I think that Battin is inferring that not having the correct information could mean they are unable to participate in rational thought process. Another assumption of suicide not being rational due to this criterion is caused by internal factors, such as depression where they can unknowingly suppress certain information (Brandt, cited in Battin 1995, 138). She counters this by stating that you can still have adequate information because the future may be already negative, even with a smaller view (Battin 138-139). Therefore, from her counterargument, she is countering any claims of narrow views that the opposition would try to argue by stating that an individual’s health status does not matter. Battin states that some would claim that suicide would be irrational if one committed it because of an unlikely future, but states t>
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