Dance and Climate Change
Dance Therapy
Dance and Voting Rights
There are many options… You don’t have to choose an issue from this list!
STEP TWO: Find a dance work that embodies, addresses, or engages with your focus. You may search through OnTheBoards.tv (found in TWU library
database), YouTube, Vimeo, or any other streaming service.
It might be helpful to refer back to previous modules in Canvas to find dance artists to research. You can also reach out to the TWU Dance librarian. Of
course, you may also reach out to me.
STEP THREE: Offer a brief descriiption and reflection that answers the following questions. Your response may be written or recorded via audio or video.
What is the issue you and the dance work are focusing on?
What is the name of the dance work? Who is the choreographer? Who are the dancers (if known)?
How is the chosen issue represented within the work?
Is the dance work effective in its social activism? Why or why not?
STEP FOUR: Choose one of the following methods to respond to the dance work.
Film a tutorial teaching 10-15 seconds of the dance work. Can you relate the movement to identity expression within the tutorial? Or introduce potential
interpretations?
Choreograph a 30-second dance in response to the dance work.
Record a podcast episode or vlog describing and analyzing the dance work (no more than 7 minutes).
Respond using a different method not listed above. Is there another method that might embody your response to the dance work? How do you want to
express your ideas? Short story? Poem? Play? PowerPoint presentation? Email me with your idea if it’s not one of the three I listed above!
STEP FIVE: Describe and explain your work. You can add this to your STEP THREE written or recorded response.
This is an opportunity for you to explain your process and your work. You might answer similar questions to STEP THREE, such as “How is the chosen issue
represented in this work?” or “Why is this work an effective form of social activism?”.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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