Consider the following set of propositions: (1) “Linda remembers receiving an autograph from Muhammad Ali.” (2) “Linda does not remember receiving an autograph from Cassius Clay.” • Do these propositions contain any reference to propositional attitudes? If so, which? • Do these propositions attribute any properties to objects? If so, which objects? • What conclusion, if any, can you derive from these two propositions? (Does it follow that Muhammad Ali and Cassius Clay are different people?

6. Descartes says that he can conceive of himself being a disembodied spirit (that is, having a mind but not a body). What does conceiving of something mean? Does Descartes’ claim entail that it is possible for him to be a disembodied spirit? (See discussion of conceivability and possibility in Chapter 8.)

7. Is a statue identical with the stone it is made of? Is an organism identical with the collection of cells in its body? Can Leibniz’s Law be used to show that either of these claims of identity is false?

8. In the Sixth Meditation, Descartes argues that he is essentially a thinking thing. An essential property of a thing is a property that the thing must have if it is to exist. Could Descartes be deprived of thought and still be Descartes? Could Descartes have been born without the capacity of thought and still be Descartes? If Descartes can’t doubt that he thinks, is that enough to show that Descartes is essentially a thinking thing?

9. It was suggested in this chapter that we understand causality best when there is a physical signal that passes from cause to effect (the electricity example). However, the fact that “absences” sometimes cause suggests that causality need not involve a physical signal. For example, suppose a patient dies because his doctor fails to give him medicine. There is no “physical signal” between the doctor and patient in this case, but there is causation. Does this point solve the objection to dualism that concerns the nature of causality?

10. Would the discovery of perfect correlations between certain mental events and physical events (say, between experiences of pain and c-fiber firings) be evidence against dualism? Why or why not?

11. What are the two central arguments that advocates of the Mind/Brain Identity thesis typically appeal to when defending their position?

12. Why might someone doubt that the Principle of Uniformity is a surefire guide to which theories we should pursue? Do you think this skepticism is well-founded, or is it just another example of philosophers’ penchant for “radical doubt”?

13. Suppose we observe a perfect correlation between some mental property (like feeling pain) and some physical property (like having one’s c-fibers fire). Apply the Surprise Principle (Chapter 3) to see whether this observation strongly favors the identity theory over dualism.

14.In the passage from Principles of Natural Philosophy quoted in this chapter, Newton defends the Principle of Parsimony by saying that “Nature does nothing in vain.” Is this idea consistent with what we now know about natural selection (Chapter 6)?

 

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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