Additionally, assume an ambient room temperature of 22oC. Use gravity, specific heat, density of air and other constant values as provided in NFPA 72 Table B.7. Base calculations on a worst case scenario where a fire is centered between four detectors. Remember to account for ceiling height where necessary.

The fire scenario for this problem will involve a chair with burning characteristics similar to that of chair F26 under test number 25 in Table B.2.3.2.6.2(e) of NFPA 72. Use FM’s time constant (τ0) for the given listed 15 ft spacing to determine the sprinkler RTI (Table B.3.2.5 NFPA 72).

a) Determine the heat detector activation times using Alpert’s correlations and the steady-state approach (assume a steady HRR of 800 kW).
b) Assuming t2 fire growth and a convective heat release fraction of 70%, determine heat detector activation times using the following approaches:
Quasi-steady state with an initial time step Δt=5s. Perform a sensitivity analysis with at least two other time steps. Plot and compare the HRR and detector temperatures for all three time steps. For each iteration, use the midpoint HRR value for the given time step.For example:First step (t=0 to t=5): HRR = α(Δt/2)2 = α(5/2)2
Second step (t=5 to t=10): HRR = α(t1 +Δt/2)2 = α(5 + 5/2)2
Method developed by Heskestad, Delichatsios and Beyler (NFPA 72 Figure B.3.3.4.4 provides a helpful methodology).
c) Plot and compare the HRR, gas and detector temperatures as a function of time for both methods used in (b). For the quasi-steady method, only use the results for Δt=5s.
d) Identify the limitations and assumptions inherent to each approach taken in (a) & (b) for calculating heat detection times.
Assume the authority having jurisdiction requires that heat detection occurs at a HRR of no greater than 475 kW.
a) Using the method developed by Heskestad, Delichatsios and Beyler, determine the required heat detector spacing to satisfy this requirement (based on same information as provided in (1)). Comment on the feasibility of this design.
b) Assuming the detector activation temperature remains 57.2°C (135°F) and that the minimum feasible spacing for the heat detectors is 2.49m x 2.49m, what measures could be taken to still meet the requirement of detection at 475 kW (Hint: think detector performance)? Support your answer by using the Heskestad, Delichatsios and Beyler approach.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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