Imagine you have been appointed as the emergency management officer at a large Aged Care facility in a provincial city in Australia. You have been asked to prepare information for executive managers that would help them develop their disaster management plan.
Prepare a report for executive management, and in report:
1. Identify and evaluate the risks such a facility is likely to confront.
2. Identify the planning context along with other issues that should be taken into consideration during the planning process
3. Detail the planning process required.
4. Identify how the plan should be implemented and evaluated.
There are couple of sections in Voltaire's exemplary parody Candide that are entirely comedic; in truth, it appears there are less still that don't toss light on the heartbreaking corruption, devastation, and shamelessness of a humankind bolstered on others hopelessness. A positive thinker, the character of Candide should differentiate straightforwardly the cynicism and misery of his general surroundings. Be that as it may, even his cooperations and encounters do close to nothing, as a general rule, to battle a picture of a chilly and remorseless world. This is, obviously, at the base of Voltaire's humorous virtuoso. Candide is caught into the administration of the Bulgarians, finds that his adoration, Mademoiselle Cunegonde's family has been torn separated, she herself assaulted and nearly slaughtered, sold starting with small time then onto the next until the point when she can keep up her fortunes as a paramour to effective men. Voltaire's Candide encounters a reality that is riotous in its duality, with not one group of his life appearing to be protected or unalterable. Through the general population he experiences and the manners by which they adapt and bear the catastrophe and endowments of their lives with square easily, Candide's battle is edged with a wry amusingness. This funniness works with the brutality of the truth to loan a human point of view to the political and social issues Voltaire looks to parody. It is hard to pinpoint any one huge example of cleverness in Candide, essentially on the grounds that the silliness is of a littler sort. Rather it attempts to compliment the undertakings of Candide, as he jumbles the world while drawing on and underlining the imbalances and tragedies of society's organizations. Toward the start of his movements, Candide still accepts innocently in the theory of his old instructor, Pangloss. This logic trusts that, "since everything is made for an end, everything is fundamentally for the best end" (Voltaire 521). Candide and Pangloss' different understudies are soon stood up to by the abominations of the world - passing, obliteration, assault, and misdirection - but then appear to a great extent as yet stick affectionately to the memory and theory of their gullibly hopeful educator. It is simply in the wake of losing everything and hearing the stories of the others that Candide starts to see the indiscretion in this theory. Through the silliness bound experiences and close and supreme catastrophe, Voltaire shows the strength of humankind through such characters as the old lady who watches over Candide after he has been flagellated by the Inquisition. The old lady has experienced mixes of fear debasement that ought to have lessened her humankind yet rather have made. The confidence inalienable to Pangloss' variant of destiny undermines reality of life and disregards agony and catastrophe as a feature of a bigger general arrangement. Be that as it may, the funniness which peppers the old lady's story, the Princess of Palestrina, demonstrates the lip service of the frameworks of society which engenders this perfect. A prime case of this diversion is the lady's depiction of her snatching by Morocco privateers. "Our officers guarded themselves as ecclesiastical troops generally do; falling on their knees and tossing down their arms, they asked of the corsair vindication". (535). The picture introduced is intended to be both amusing and illustrative of the fantasy of religion and social position. In spite of the fact that the group of the Pope, the old lady and the other ladies on board are deserted to the impulse of the privateers. Neither their religious alliance, social status, cash nor excellence can shield them from being killed, and on account of the old lady sold from agent to intermediary - having in one case one butt cheek cut off to keep herself from being torn apart. While the lady has in some ways acknowledged her present circumstance, indicating complicity that is at the base of such regulated frameworks that advance acquiescence and visually impaired acknowledgment, her silliness loans to Voltaire general parody on the thought of joy as a disconnected perfect. Having endured endless tragedies all through her long life, the old lady takes note of, "a hundred times I needed to kill myself, yet dependably I cherished life more"(538). "This absurd shortcoming is maybe the most terrible of our slants; for is their anything sillier than to want to endure consistently a weight one generally wishes to toss on the ground" (538). While it is strong, in her appearance of it here, of Candide's own hopefulness regardless it gives a false representation of an authenticity that there is little in her catastrophe that can or has been advocated by man or God. She has endured and in her agony has looked to clutch the concise triumphs and satisfaction that she has accomplished. Her point is later resounded by Candide when in clarifying the possibility of good faith to Cacambo he demonstrates that his own particular visually impaired confidence in theory of joy lectured by Pangloss is more franticness than the real world. In survey the miracle of Candide's exceptionally idea of life through a cruel and performed authenticity, Voltaire drives the peruser to Candide's own decisions. Silliness works with this authenticity to go about as a springboard for suggestions against the establishments and traditions that have made and drawn out a portion of the best tragedies on the planet.>GET ANSWER