Document and reflect upon some of the local and scholarly “voices” heard in the film, “End of Poverty?”
To deepen your visual experiences of the inequalities entangled in contemporary
global formations of power, wealth, and social status between what is distinguished as the “Global
South” and the “Global North” of the planetary “states” (countries), please watch the film “End of
Poverty?” streaming from HPU Library (no advertisements) that can also be found on the web
(with advertisements) at the following site: https://www.dailymotion.com/video/x22eynh.
For the assignment, I ask each of you to document and reflect upon some of the local
and scholarly “voices” heard in the film regarding global poverty. The paper should be
approximately 3 pages (double spaced, font 12, standard margins). If it helps you, you have been
provided a study guide to utilize that is available for extra-credit points—note details on
announcement page. Below are the details to include for the project (as a rule, you want to make
it obvious to me you are watching the film so note as many details as necessary to make this
explicit):
I.
Describe some Voices:
a. Impoverished Peoples
i. Note some details from voices of at least two different “peoples” in the
film
1. Provide some basic identification of the people including
speaker
a. Environment of the people (sugar cane field, mine, etc.)
b. Country, city, type of environment they discuss
c. Nationality/ethnicity
d. Social conditions/status/role (cane workers, miners,
mother, etc.)
e. Gender
f. Other dimensions you want to highlight
2. Either paraphrase some of the main ideas, issues, facts, etc. the
people discuss or note specific quotes of interest to you
b. Scholars
i. Note some details from voices of at least two scholars in the film
1. Provide some basic identification of the scholar
a. Country/nationality/ethnicity
b. Social status/role (professor, profession, etc.)
c. Gender
d. Other dimensions you want to highlight
2. Either paraphrase some of the main ideas, issues, facts, etc. the
scholar discusses or note specific quotes of interest to you
II.
Reflect on some of the voices:
a. What was interesting about the “worldviews” they communicated?
b. Do these worldviews communicate to you new ideas, facts, values, etc. about the relationships of people(s) to the contemporary global political economy, the history of globalization and poverty? Elaborate.
III.
Essay Structure:
a. Introduction
i. As is possible, articulate a thesis statement that expresses the major point you want to address from hearing these voices and will use to link the content of the paper
ii. Note a few supporting points you will address in the paper
iii. Feel free to “occasion” the introduction however makes sense to you (an anecdote that links the voices to you; a quote; some issue you want to highlight to frame the essay; some emotion you want to emphasize to help you frame the essay, etc.).
b. Body Paragraphs
i. Ideally, there should be at least two body paragraphs, but feel free to do as many as you want
ii. Structure the paragraphs as you please (integrating scholars and peoples; separating them by themes; distinguishing scholars from peoples in some comparisons or contrasts; etc.)
c. Conclusion
i. Conclusions are often either centripetal (pull the different ideas, issues, people discussed together into greater significance) or centrifugal (use the different ideas, issues, people, discussed to lead you to further questions and ideas to explore) or some combination of both. Feel free to organize the conclusion as you wish, but one way or another try and use the earlier components of the essay to build some concluding thoughts that further reflect on the film at a broader level.

 

 

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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