Consider how graphic design has become more than a sophisticated method of communication and branding over approximately the past 40 years (1920–2021 but not earlier). How do cultural, social, economic and/or historic factors influence visual communication design to move away from a client- and product-driven focus to one that calls attention to social issues? How does the use of image, typography, scale and other elements of design impact the message? Have there been any substantial results: subsequent activist trends; documented effects on social changes; grass-roots campaigns causing changes in the business aspects of design? You will be writing an expository essay.* While you will not be expressing your opinion in this research paper, you will provide an analysis and you can make conclusions based on the information you find. Conclusions mean evidence-based outcomes or potential outcomes that may have been addressed in articles found in your research.

Keep in mind that the topic must pertain to design, aspects of design (such as the use of imagery and type) and sustained attempts to create public awareness or significant change in communities or beyond. (This should go well beyond a single, local billboard, for example.) You can, however, combine similar efforts under one topic. One such theme might be citizen groups directed by designers to create murals that have occurred in different communities. (Note: Do not use this topic!)

Some books to get you started:
Design for Good
Cradle to Cradle
Radical Matter: Rethinking Materials for a Sustainable Future
Graphic Agitation
Graphic Agitation 2: Social and Political Graphics in the Digital Age
A Whole New Mind
Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds
Visions Of Peace And Justice: San Francisco Bay Area: 1974-2007. Over 30 Years Of Political Posters From The Archives of Inkworks Press

All sources must be referenced (cited) and included in a bibliography. Use Chicago Manual of Style (CMOS).

Details follow. See the course schedule for deadlines.

*What is an expository essay? Here is a brief explanation sourced from https://bid4papers.com/blog/expository-essay/. The language is informal on this site so don’t let it influence you as you write your essay!

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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