Carman and Fredericks describe three types of organizations in terms of their evaluation capacity. If you are currently working in the social and behavioral sciences, use your current organization; ( You can use the Department of Social Services) if not, interview someone in your community who works in such an agency or organization about their experiences with program evaluation and collaboration. Assess and describe the program’s evaluation capacity. How important is program evaluation in this organization? What are the greatest challenges this organization faces in terms of evaluation? Why is evaluation an essential part of ethical program implementation?

In preparation for the Unit 8 discussion, also ask in your interview about community collaboration. With what organizations and groups do they collaborate? What are the benefits of collaboration? What are the biggest challenges?

unit reading: Implementing And Evaluating Programs

One of the “extra benefits” of this course is that, depending on your current and future leadership goals, the text and many of the assigned journal articles, such as the one in this unit by Carman and Fredericks (2009) offer insights into organizational management and administration as well as zeroing in on the management of a specific program or project. Evaluation capacity of the organization is an issue that will be discussed in more detail in the course, Advanced Program Evaluation. Evaluation capacity is the organization’s ability to carry out evaluation as an integral part of their operation. There are numerous models discussed by Carman and Fredericks (2009), as well as activities needed to carry out evaluation, and barriers to evaluation activities identified in this article.

As depicted in the Framework for Program Development and Evaluation (Comeau, 2011), evaluation is an ongoing process that feeds back into program improvements as well as communication with funders and other key stakeholders who support the program (resources/inputs). The two major types of evaluation are (Calley, 2011; Kellogg Foundation, 2004):

• Process or formative evaluation.
• Outcome or summative evaluation.

Evaluation can also be seen as part of the ethics of practice, with the obligation to not only be sensitive to the culture and changing needs within the population being served, but also to maintain ongoing accountability to and communication with stakeholders (Calley, 2011).

You may want to go back and scan Chapter 5 in Conyne (2010) as well as the Kellogg Foundation materials as you review the new material on evaluation in Chapter 12 (Calley, 2011). In Conyne’s (2010) Chapter 9 he introduces the question, how is something “evidenced?” This ties back to the Logic Model work and the identification of measurable objectives and outcomes. In research terms, the research would ask, how do we “operationalize” a concept or desired characteristic? This of course leads the program designer back to the research literature. Prevention programs are designed to reduce incidence by increasing protective factors and reducing risk factors; stakeholders want to know, how are participants “evidencing” the desired characteristics? While this is an evaluation question, it must also be a program design question, where developers work both backwards and forwards to build research-based activities that are believed to lead to certain outcomes, which can only be measured by identifying their logical indicators! How will we know that change or growth when we see it? How is it “evidenced?”

 

 

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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