Write a 7-page research paper about a musical culture
Use Nettl’s 3-part model, Focus on the Sounds, Behaviors and Ideas or Conceptions that govern the sounds and behaviors of the musical genre/activity you choose

Sound:

What sounds are you hearing? Talk about the instruments (and voices) of the musical genre/activity. What are they made of and what do they sound like? Are there any rules or restrictions surrounding these instruments, like who can play or when one can play? Can you comment on the texture and form of the music? Texture refers to layers of activity. How many musicians are present and how do they relate to one another? Form refers to how the music is organized and presented,. How long does a performance last and how are the melodies and rhythms arranged. Lastly, what does the music sound like to you, the outsider?

Behaviors:

What activities are associated with this musical genre/activity? What are people doing while this musical activity is happening? Is there a specific purpose or function surrounding this music, or is it just for enjoyment/entertainment? Does this musical activity have any behavioral restrictions regarding religion, age or gender? Is everyone participating communally or are the musicians/singers/dancers presenting music to an audience…. why? Lastly, can you draw any connections to musical behaviors in your life or culture?

Ideas/Conceptions:

What ideas or conceptions govern the sounds and behaviors of your chosen musical genre/activity? Why are people creating this music and why are people participating? Address ideas surrounding history, culture and musical evolution. Most musical genres throughout the world express indigenous and foreign, or outsider aspects. What traits are uniquely regional, or indigenous, and what traits are coming from an outside influence and why? Again, almost all music has a combination of both! How have politics, religion or human migration affected this musical genre/activity? Lastly, can you relate what you learned to your own life experiences?

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Sample Answer

Sample Answer

 

 

Research Paper: Exploring the Sounds, Behaviors, and Ideas of Flamenco Music

Introduction

Flamenco music, a vibrant and passionate musical genre originating from the Andalusian region of Spain, encompasses a rich tapestry of sounds, behaviors, and cultural conceptions. This research paper will delve into Nettl’s 3-part model to examine the intricate elements that govern Flamenco music, focusing on the sounds produced, the behaviors associated with its performance, and the underlying ideas and conceptions that shape this unique musical tradition.

Sound: Exploring the Rich Soundscape of Flamenco

Flamenco music is characterized by its emotive vocals, intricate guitar playing, rhythmic handclaps known as “palmas,” and percussive footwork called “zapateado.” The melodic lines are often accompanied by the rhythmic strumming of the guitar, creating a layered texture that is both hypnotic and intense. The vocalists, known as “cantaores” or “cantaoras,” use passionate and soulful singing to convey a range of emotions, from joy to sorrow.

In a typical Flamenco ensemble, you may find a guitarist, singer, dancer, and sometimes percussionists. The musicians interact dynamically, responding to each other’s cues and improvising within the structured framework of the music. Performances can range from intimate gatherings to large-scale productions, with each piece often following a specific form or structure that includes rhythmic patterns called “compás” and melodic phrases.

As an outsider, Flamenco music may sound exotic and mysterious, with its haunting melodies and rhythmic intensity evoking a sense of raw emotion and cultural richness.

Behaviors: The Cultural Practices of Flamenco

Flamenco is more than just music; it is a cultural expression that encompasses singing, dancing, and guitar playing. During a Flamenco performance, audiences may witness passionate dancing, heartfelt singing, and virtuosic guitar playing that captivate their senses. The performers engage in a dialogue of emotions through their artistry, drawing the audience into the emotional depth of the music.

In Flamenco culture, there is a deep sense of tradition and respect for the art form. Performers often undergo years of training to master their craft, and there are specific etiquettes and codes of behavior that govern Flamenco performances. While anyone can appreciate Flamenco music for its beauty and intensity, there is a level of understanding and respect that comes with being part of the Flamenco community.

Flamenco performances can serve various purposes, from entertainment in a social setting to spiritual expression in more intimate gatherings. The communal aspect of Flamenco allows for both active participation and passive enjoyment, with audiences often clapping along to the rhythms or shouting words of encouragement to the performers.

Ideas/Conceptions: Unraveling the Cultural Significance of Flamenco

At the heart of Flamenco music lies a deep connection to Spanish history, culture, and identity. The roots of Flamenco can be traced back to the diverse cultural influences in Andalusia, including Arab, Jewish, and Romani traditions. The music reflects the joys and struggles of everyday life, with themes of love, loss, and longing woven into its lyrical content.

Flamenco has evolved over centuries, adapting to changing social and political landscapes while preserving its core essence. The music has been shaped by migration patterns, religious influences, and artistic collaborations that have enriched its repertoire and expanded its global reach.

In studying Flamenco, one can discern indigenous elements such as specific rhythmic patterns or melodic motifs that are unique to the Andalusian region. At the same time, Flamenco has absorbed external influences from various musical traditions, creating a fusion of sounds and styles that continue to evolve.

In my own life experiences, I have encountered parallels between the emotional depth of Flamenco music and the cultural expressions within my own community. While the sounds and behaviors may differ, the underlying passion and storytelling inherent in Flamenco resonate with universal themes of human experience.

Conclusion

In conclusion, Flamenco music represents a multifaceted art form that intertwines sounds, behaviors, and cultural ideas into a captivating tapestry of expression. By exploring Nettl’s 3-part model, we have gained insights into the intricate layers of Flamenco music, from its emotive soundscape to the cultural practices that shape its performance. Through an examination of Flamenco’s history, traditions, and influences, we come to appreciate the profound impact of this musical genre on both a local and global scale.

As we continue to unravel the complexities of Flamenco music, we discover not only its artistic beauty but also its profound ability to transcend boundaries and connect people through shared experiences of passion, rhythm, and emotion.

 

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