For this assignment, you will write biopsychosocial assessment of an individual. You will watch the film Fences that is available to you via the provided link
on the course Blackboard site. You should select one member of the Maxson family to be the focus of your assessment.
Your assessment of the client must include biological, psychological, social, environmental, and spiritual factors. You should use the biopsychosocial outline
below as a framework for writing your paper.
Required Outline for Writing Assessment:
Part 1: Biopsychosocial Assessment
• Basic Information: Provide a general descriiption of the client, including the following identifying information: name, age (approximate if not known exactly),
gender, race/ethnicity, socioeconomic status, sexual orientation, religion, language spoken.
• Background and Current Functioning:
• Family composition and background
• Educational background
• Employment and vocational skills
• Religious/spiritual involvement
• Physical functioning, health conditions, and medical background
• Psychological and psychiatric functioning and background
• Social, community, and recreational activities
• Food, clothing, housing status/needs
• Legal concerns
• Cultural background: race/ethnicity, primary language/other languages spoken,
significance of cultural identity, cultural strengths, experiences of discrimination or oppression, migration experience and impact of migration on individual
and family life cycle; experiences of racism or oppression; socioeconomic status, gender, and intersectionality)
• Other environmental or psychosocial factors (e.g.) strains and/or stressors. For example, this section may include a discussion of social context; power
structure; gender, roles.
• Client strengths, capacities and resources (i.e.) ego functioning
• Impressions, Assessment, and Recommendations
• Clinical Summary, Impressions, and Assessment
• Goals and Recommendations for Work with Client
Part 2: Theoretical Framework
• Discuss the Person-in-Environment perspective/Systems Theory
• Discuss life cycle factors (individual and family)
• Describe the client’s Ego Functioning (identifying clients’ strengths, coping and defense mechanisms)
• Lastly, include relevant ethical issues, including dilemmas, confidentiality, informed consent issues in this case.
Part 3: Recommendations/Proposed Intervention
• Tentative Goals (with measurable objectives and tasks)
◦ One Short-term
◦ One Long-term
• Units of Attention
◦ What should be the focus of change? Person and/or environment? A “person-in-environment” ecosystems perspective encourages the worker to consider
all relevant dimensions of the case, including the degree of fit (or lack of fit) between the people and their environments (micro, mezzo, macro).
• Possible obstacles and tentative approach to obstacles

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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