Sequence Analysis on Amelie link for video: https://www.youtube.com/watch?v=FOgJgQrdxsY
In your essay, briefly describe the narrative created by the title sequence (often called the “opening credits”). Do not refer to what happens in the movie – for this assignment, we are only concerned with what takes place in the title sequence – in fact, pretend that you’ve never seen the movie, and have NO knowledge about it. In one paragraph, succinctly describe what takes place only in the title sequence. The rest of your essay should consist of an analysis of the opening presentation. Again, do not discuss what happens in the film; only evaluate the title sequence, which is also posted to our Assignments folder. Remember, the reader of your essay has already seen the title sequence, so there is no need to describe in detail what happens. Instead, examine the symbolic implications of each aspect of the title sequence production. Take a close look at one aspect that stands out for you (it might be the music, special effects, typestyles, or other pertinent elements). Your analysis should result in a clear and concise essay in which you discuss the significance of the title sequence. You may want to consider the ways in which the title sequence is aimed at a particular audience – what is revealed about the viewers being targeted? Be careful to not generalize the intended audience. In other words, just because a movie is about vampires, it does not mean that only vampires will want to see the film. Instead, take a close look at noteworthy themes and subjects presented in the title sequence. Consider the expressed “meaning” of the clip. Be sure to also reflect on the importance of the genre of the film being introduced. Your job is to develop a relevant thesis and to present sufficient, specific evidence to support your claim(s). Don’t be overwhelmed by the amount of available material – this is a short essay, so be careful to focus your argument. Your essay should be between 1000 – 1250 words in length. Double-check your work for spelling, grammar, and punctuation; MOST IMPORTANT Although there is no need for outside references for this essay, if you choose to reference someone else’s work YOU MUST CITE THE SOURCE.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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