Choose one of these questions to answer.
Question 1: What strike you as some of the chief ways in which emancipated slaves sought to act upon, and realize, their newly won freedom?
Question 2: How did the policies of Presidential Reconstruction (1865-1867) compare with those of Radical Reconstruction (1867-1877)?
Question 3: Identify and describe three arguments that helped fuel southern white resistance to Radical Reconstruction.
Question 4: Which would you say had a greater role in the eventual demise of Reconstruction – resistance down South, or indifference up North? Explain your reasoning.
Question 5: How did the Reconstruction amendments to the Constitution transform the promise, and reality, of American freedom?
Other than Ross, Norman evaluates the process of generating emotions from a consumer’s perspective and explains the influence of design through cognitive science. He also looks at the cultural differences between different countries and share examples of design having the same impact regardless of cultural differences. The plausible derivation from his examples would be the process of emotions happening subcounsciously and that design therefore influences the subconscious mind and behaviour of human beings. 2.2.3 Stefan Sagmeister – Beauty and Design “A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth, Spite of despondence, of the inhuman dearth Of noble natures, of the gloomy days, Of all the unhealthy and o’er-darkened ways Made for our searching: yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits.” – (John Keats, 1818) The Austrian designer Stefan Sagmeister worked on the Beauty Project after launching The happy show back in 2016. The main focus of this project was to find out whether beauty is an essential in design and functionality. Throughout the twentieth century, the job of designers became more and more rational. The focus was to create consistent designs, with consistent lines, shapes and a small amount of colours to visualize the functionality of a product and to solve problems. This led to unemotional and unauthentic designs, which showed no value to the world. Stefan Sagmeister and his partner Jessica Walsh share their opinion and studies with the outcome that beauty is a core of humanity which not only increases the likelihood of a product or design but also the functionality (Sagmeister & Walsh, 2018, p.5). “Beauty lies in the eye of the beholder” (Hungerford & Duchess, 2016), is a well-known qu>