Define a function called european_put() that prices a put option.

1. Test that it is able to price a put option correctly. With the following parameters, the price of the put should be 3.44… Here are the inputs: european_put(S0=15, T=2,m=4,rf=0.05,E=18,sigma=0.3)
2. Graph the convergence of the binomial put option price to the Black-Scholes price for the put option with time steps ranging from 2 to 500 for the option above. For completeness I have included the function for the Black Scholes put option in the assignment.
3. Graph the pricing error (Binomial Price/Black-Scholes Price minus 1) on the y-axis with the number of time-steps on the x-axis. (Max 100 words)

Task 2 [10 marks]
In this task consider a put option with:
S0 = 100 E = 100 Rf = 4% Sigma = 20% T = 5 m = 200
(Each group should use different data; I will provide new data with the group formation).
Use the binomial option pricing model to check the sensitivity of the option price to changes (each change separately from the other changes) in the parameters. What if:
1. Rf ranges from 0.01 to 0.10 in steps of 0.001
2. Sigma ranges from 0.01 to 0.5 in steps of 0.1
3. m ranges from 5 to 1000 in steps of 10
4. S0 ranges from 50 to 150 in steps of 1
For each change, graph the option price (y-axis) against the parameter you are changing (x-axis). What do we learn about option prices from this analysis? Explain in detail with the underlying economic intuition for these effects! (Max 300 words)
Task 3 [5 marks]
The put-call parity is a condition that must hold for arbitrage to be ruled out in option markets. The underlying idea is that if two different investment positions have exactly the same payoff, then they must also have the same price. We can state it as follows:

S + P = PV(K) + C

Where:
P = Price of a European put option (with strike price K)
S = The underlying stock price
PV(K) = Present value of the strike price of the option
(i.e. a bond investment equal to the strike price)
C = Price of a European call option (with strike price K)
We can of course rearrange the terms and compute the price of for example a call option using the put-call parity as:
C = P + S – PV(K)
The calculated price should be equal to that from using the binomial tree to compute the call price.
a) Explain graphically and with words how the put-call parity works. Write maximum 2/3 of a page of text. Also make sure to visualize the equivalence graphically. (Max 300 words)
b) Write a function that uses the put-call parity to compute the price of a European call option. Verify that the outcome is identical to pricing the call option directly with the binomial tree (up to approximately 6 decimals or so).

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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