Listen to “King Porter Stomp” and “In the Mood.” Describe the major contours of each piece in a couple of sentences each. Think about Ogren’s argument about the changes between Dixieland and Swing jazz. Do you agree with this? Why or why not? Use examples from one or both pieces to back up your claim4. Watch I’ll Be Glad When You’re Dead You Rascal You and consider the discourses around blackness jazz enabled. In what ways do you see the multiple ways jazz featured into the U.S. American imaginary portrayed?5. Given all of the reading and media this week, discuss what about jazz might have symbolized the coming of modernity to the U.S. to listeners of the 1920s. What does the sound of the music capture? How might it have depicted the major changes moving through U.S. society?6. List and describe three technological advances that impacted what was recorded as “jazz.”7. How does the black-white binary appear in the stories told in Forbidden City USA? Who spoke to this phenomenon and how did they navigate it? How does this relate to the distinction between genre and practice?8. In what ways do the model minority or exotic stereotypes of Asian Americans appear in the film? In what ways did the performers in the film stereotype other races or ethnicities? What might this say about racial projects?9. Drawing on Fracis Wong’s question, is Japanese swing U.S. American music? Argue for or against this point using evidence from the materials from this or past weeks.10. Are Asian Americans still silenced in the popular music industry? What about popular culture on a whole? What is similar or different today versus a century ago?
Contention Communities Boundaries Community boundaries can be made anyplace. A few contentions that we guarantee can be seen by looking at the networks we are utilizing to guarantee them. From the logical perspective, the conversation is talked about from the viewpoint of "crowd", "network", "field", or "space" in which it happens (McKerrow, p. Converse with the crowd and the network to clarify the progressing banter. McIlro has four significant networks. It is close to home, social, specialized, and reasoning (Argument Communities # 31 - 39). McKerrow uncovered that everybody can invest energy in just one of the networks one after another (Argument Communities # 29). This implies individuals can move from the network to the network with a similar contention. The start of Kivel's discussion occurred in a social network. Mr. Mckerrow says, "Social conversation ... attempting to change another network of various worth or utilization of old worth, attempting to make another open" (McKerrow # 35) So as to clarify the conversation of the network, it is important to characterize the network itself. "The ordinary guideline of network is to control disputable conduct, social practice is to conclude who can discuss what authority, and they themselves" it is the particular principle that commands the conduct of conversation It is characterized fair and square. In the football match-up, these guidelines intend to make enthusiasts of the network. As a fan, in the event that we need to be a piece of the network, we comprehend that we have to adhere to the standards. A portion of these guidelines may incorporate great sportsmanship. For instance, we may not consent to calls from authorities, yet we realize that we should act here and there to turn into a piece of the network. So we can rehearse conversation by talking about on the telephone, however one thing we need to stop>GET ANSWER