Watch Lecture 3: Moving to Opportunity vs. Place-Based Approaches
Post your reflection to Lecture 3 in the Discussion Board by Monday, September 14th @ 11:59 PM
Include the following in your reflection:
What would your household do with an extra $1,000 cash per month (pre-COVID)?
How would you feel if your chances of going to a four-year university were based on a lottery system?
Image you live in a high-opportunity neighborhood (high economic mobility for children from low-income families).
How would you feel if low-income families moved into your neighborhood as part of a program?
Does integration hurt outcomes of children from high-income households? What does the data show?
What would you propose to local government leaders who are interested in implementing Move To Opportunity in Miami?
Why do you think governments invest in housing programs? How effective are traditional housing programs? What do they get wrong in their implementation?
Which of the Characteristics of High-Opportunity Neighborhoods do you think have the most impact on upward mobility? Why?
During the Renaissance Art period the world was entering the new time of thriving. The Renaissance came after the Middle Ages which was loaded with affliction and passing. The Renaissance was the resurrection of old thoughts, yet it was likewise the time of headway, development, and investigation. During this time the biggest domains were extending to the obscure pieces of the world. This time was likewise the time of headways in innovation. This was the hour of progressions in maps, printing, and engineering. The congregation was additionally developing and changing all through Europe. During this time the print machine permitted the interpretation of the Bible to spread to different dialects during the 1500's. This permitted the understandings of the Bible to develop and all individuals can decipher the Bible in their own specific mannerAlexandre Farto otherwise known as Vhils is a Portuguese craftsman who began as a spray painting essayist in the mid 2000's. Vhils discovered his aesthetic voice while growing up during the serious urban advancement in Seixal, a modern suburb of Lisbon, during the 80s and 90s. He is basically a representation craftsman known for his subtractive cutting method, which has been hailed as one of the most trial ways to deal with road workmanship in the most recent decade. His craft advanced from spraycan craftsmanship on dividers to tearing layers from road promoting bulletins to uncover cartoons of individuals. This strategy guided him thus to boring and drawing segments of mortar and cement from dividers. He thinks about this experience to that of a paleologist investigating the layers of earth to uncover the sections of our past. His work is an archive of a city's ongoing history, a contemporary paleohistory investigating the intermingling of two factors: the response to a strategy of converse stenciling combined with the thought of innovative vandalism. Vihils started exploring different avenues regarding fireworks in 2011 to make paintings cut from blasts in feeble dividers. "I have confidence in working with the powers of mayhem present in the city and making them part of a workmanship that is as transient as the material reality that encompasses us". Valencia is a city glad is it's specialty, writing, social customs and engineering. One of the most loved 'starchitects' of current occasions, Santiago Calatrava, hails from Valencia and can profess to have had a profound effect in cutting the city's advanced and imaginative stylish. He isn't without discussion and has been charged by some as draining Valencia dry from his heightening expenses in abundance of 100m euros. Areas of the swooping mosaic top of the Palau de les Arts Reina Sofia show house left away in high breezes, compelling the specialists to close the structure to the general population. The show house is one of seven structures that contain the City of Arts and Sciences intricate, opened in October 2005 and built on recovered land in the city's previous port. The white solid drama house includes a quill like rooftop cruising more than two external shells that twist round the sides. These are clad in a layer of fired mosaic tiles or "trencadis", which originally gave early indications of maturing when wrinkles showed up in the smooth white surface and before long began falling in pieces. It may not be reasonable for blame the modeler for the failings of the materials or the contractual workers anyway the Calatrava has a few claims against him for imperfect plans previously. >GET ANSWER