Show your understanding of the text, genre, and truth by comparing / contra
TTTC with a work of non-fiction by Tim O’Brien.
ABOUT THE THINGS THEY CARRIED (book) AND THE VIETNAM LINK IN FIRST PARAGRAPH OF DIRECTIO
The Vietnam in Me.pdf download(this is a version of the below website that has been turned into a PDF by your te
means that it should be cited with the page numbers published on the PDF document) (https://www.google.com/u
q=https://www.nytimes.com/books/98/09/20/specials/obrienvietnam.html&sa=D&source=editors&ust=1620935615179000&usg=AOvVaw1Hh_OoPG2EhouklgAHDwnx) LINK
Read and annotate “The Vietnam in Me” (use “command” and click to open so it opens in a separate tab for you t
Kami… OR a PDF is avail in Canvas– can use page citations): a nonfiction essay written by Tim O’Brien, paying
to things that you notice that remind you of things you’ve read in The Things They Carried. Consider annotating fo
similarities/differences in elements of fiction:
Setting
Characters/people
Action, plot, and conflict
Style: Use of language (specifically the terms we have used and noted during this unit)
Ideas about: war, stories, memories, relationships, etc.
Complete the following chart (https://www.google.com/url?q=https://docs.google.com/document/d/11L0I54zxdsLR
OeAb6fg3sot608TKsN7tNzg/copy&sa=D&source=editors&ust=1620935615180000&usg=AOvVaw1t0CYHNd1sF
LINK (“command” + click to get your own copy in another tab), using quotations from both texts and explaining the
substance/importance of the similarity or difference that you see. Make sure that you put accurate page numbers
Write a paragraph that examines what you notice is important in Tim O’Brien’s treatment of fiction and nonfiction,
evidence from the chart. Paragraph must have:
Thesis statement/claim (draft three separate ideas, and then choose one to revise and use: you may do these on
of paper)… remember these must be NARROW:
Draft/Idea 1: ______________________________


Draft/Idea 2: ______________________________


Draft/Idea 3: ______________________________


Specific evidence from both works (including at least one properly cited quote from each, and additional specific d
to prove your claim)
A complete analysis/discussion of why it matters (consider the essential questions for the unit– they may guide yo
ideas/analysis)
How will I be graded?
Projects will be graded on an A-B-C-D-F scale according to your understanding of the key objectives tested along
detail of your analyses and explanations. You should focus your energy on these things.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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