Patient and Family Centered Care (P&FCC)- the delivery of health care based on partnerships between patients, families and all those involved in the care of the child and family. Evidence has shown that patient and family centered care can produce benefits for both the child and their family.
1. Discuss one benefit of P&FCC to the child and family
2. Compare and contrast how the provision of P&FCC would differ in the hospital to the community setting (school, kindergarten, day care, home)
There are four central areas utilised as a guide to improve the experience and outcomes for patients and their families:
Treat patients and families with dignity and respect
Share information clearly and openly
Involve the patient and family in decision making
Share the provision of care
3. Explore one of the above areas in depth. Discuss what you think is meant by the phrase and identify ways in which you would do this for a two year old in comparison to a 16 year old.
4. The impact of hospitalisation for a child can have both positive and negative outcomes. Explore one of each using evidence to support your thoughts. Discuss at least three strategies you could employ to reduce the negative effects of hospitalisation for the child and family
5. Choose a particular age group and one of the following interventions:
• Capillary blood taking
• Insertion of a naso-gastric tube
• Vital signs
• Administration of oral medication
• Need for IV insertion
• Having an Anaesthesia/operation
a) Identify how you would explain one of the identified medical interventions to a child and encourage their cooperation.
b) What effect would this procedure have on the child and family?
c) When/how could you explain and involve them in both preparation for the procedure and then during the procedure.
Torey A. Rivulets Dynamic Music audience members of any age have seen numerous examinations addressing whether music can reliably express feelings. Far less consideration has been dedicated to the real substance of the music's open procedure for our feelings and the way it influences us to need to move to the beat. The examination will think about whether music can pass on passionate substance. Layers of different harmonies enable audience members to see more multifaceted feelings; "however the articulations are less diversely invariant and more subject to the social setting and additionally the individual audience" (Juslin, 2013). These feelings are communicated in ways like snickering, crying, or physical developments which and in addition the music, likewise animates our cerebrum. Watchwords: music, feeling, articulation, correspondence, development Presentation Music influences everybody in some capacity. Some hear it out routinely though some exclusive listen once in a while. We hear music in our autos, in lifts, at the specialist's office, or while we are on hold; it is a fundamental piece of our lives whether we consider it or not. There are numerous things that energize our brains' reward focuses, among them are our enthusiastic reactions to music and how that music influences us to need to shake our bodies. While we can encounter a transitory excite from a rapid auto pursue on a motion picture screen, a bit of music can cause fluctuating feelings relying upon its significance for us on any given day. It is imagined that the formation of music was done through cadenced developments, for example, the tapping of feet. Delight focuses of our cerebrum are associated with our engine tangible. Watching others move, not just influences our needing to move, it achieves an euphoric interest to the music since it is influencing us inwardly. Music not just achieves profound expressive encounters, it makes us need to move to the beat and whether we can transparently recognize it or not, elevates our souls as is prove by the a huge number of recordings of people who post their singing and moving experiences identified with the music they tune in to. Confirmation In one sense, artists are not really communicating their own feelings as most music is composed by different specialists; they are feeling and also communicating the music's feelings. Per Why do we jump at the chance to move - And move to the beat? (2008), the term 'enthusiastic articulation' normally implies that audience members see the music's passionate importance. Music is a route for people to express their life's present perspective. While an audience could see any feeling in a bit of music, not all discernments will be a similar which is the reason there are various styles of music accessible. "Proof proposes that tangible encounters are additionally engine encounters" (Why do we get a kick out of the chance to move - And move to the beat?, 2008). Thus, it is detectable that while somebody is viewing someone else move, our cerebrum's development regions are by and large unwittingly initiated and we are foreseeing how an artist will move in light of how the music influences us to feel. As supported by Juslin (2013) "there is some base level of understanding among various audience members with respect to the articulation, apparently in light of the fact that there is something in the music that delivers a comparative impression in numerous audience members." When an arranger composes music, he does as such trusting that the audience will locate a characteristic esteem and happiness so they will keep on listening to the music. While there may be a particular explanation for the music arrangement, the music can mean much more to numerous audience members than the author who composed it. "The term essential or discrete feelings happens habitually in the music brain research field today, regularly alluding to specific feelings, for example, bliss, misery, outrage, and dread, however with no more profound thought of the hypothetical premise of the idea (Juslin, 2013). Music that was composed with feelings past those Juslin noted, are composed for the individual encounters that the arranger has felt in his own particular life and seem to do well concerning being tuned in to or asked for play on the radio. Music that has a snappy tune, yet does not touch us sincerely blur rapidly into what are known as one hit ponders. Most artists endeavor to form their music around life circumstances that have influenced them in a passionate way. They plan to pass on those feelings to other people who can partake in similar emotions or if nothing else sympathize with them. Music that touches our feelings of affection, misfortune, recuperating, or whatever we search for in music, will be music that will dependably touch our hearts. Studies in regards to how music takes advantage of our feelings rank the best ten feeling terms as "satisfaction, bitterness, outrage, dread and love, delicacy, and this inclination was comparative over the three informational indexes, in spite of contrasts in tests (artists versus understudies, different nations) and choices of feeling terms (running from 32 to 38 terms)" (Juslin, 2013). When I started this paper, I effectively kept a tally of how often I heard music for the duration of the day that I didn't start; it arrived at the midpoint of thirty-two events in a single day. After that test, I started to take a gander at how the music influenced me on these noninitiate events. It was at the bank and hall music was playing or I was sitting tight in line for my lunch and they had music playing out of sight. Unknowingly, I discovered myself murmuring or marking along and if the time was sufficiently long, I found myself moving to the hits. Remaining in the bank murmuring conveyed me to a period years back when I used to volunteer in a kids' service. I can recollect aiding kids' congregation and paying little respect to the kids' demeanor upon entry, the minute we as a whole started singing and playing melodic instruments, everybody could obviously observe the quieting changes in a room of 40, 3-and 4-year-old youngsters; they turned out to be more tranquil, finish. They were more agreeable to sit through a lesson and their folks saw that they were more well-suited to nod off on their way home. While this isn't a controlled examination, the kids burned through 10 minutes singing and moving and the gradually expanding influences went on for 6 hours. Conclusion As I felt quieted in the save money with my murmuring and influencing, singing with development quieted the youngsters' souls and gave them a passionate outlet for the encounters in their little universes. I don't trust they intentionally comprehended the advantages of the music and development, they just really appreciated it. Music and move may simply be especially pleasurable activators of the tangible and engine circuits. So,â€¦humans like watching others in movement (and being in movement themselves), adding music to the blend might be an apex of reward." (Why do we get a kick out of the chance to move - And move to the beat?, 2008). In this way, doubtlessly music can realize profound enthusiastic encounters and it can make us need to move with the beat as it elevates our souls. In any case on the off chance that we tune in to music calmly or unfailingly, it can move our souls in ways inconceivable. References: Juslin, P. N. (2013). What does music express? Fundamental feelings and past. Recovered from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3764399/ For what reason do we get a kick out of the chance to move - And move to the beat? (2008, September 26). Recovered from https://www.scientificamerican.com/article/specialists move/>GET ANSWER