PROBLEM 4–20 A mountain range can be represented as a periodic topography with a wavelength of 100 km and an amplitude of 1.2 km. Heat flow in a valley is measured to be 46 mW m−2. If the atmospheric gradi- ent is 6.5 K km−1 and k = 2.5 Wm−1 K−1, determine what the heat flow would have been without topog- raphy; that is, make a topographic correction.

PROBLEM 4–29 Estimate the effects of variations in bottom water temperature on measurements of oceanic heat flow by using the model of a semi-infinite half-space subjected to periodic surface temperature fluctuations. Such water temperature variations at a specific location on the ocean floor can be due to, for example, the transport of water with variable tem- perature past the site by deep ocean currents. Find the amplitude of water temperature variations that cause surface heat flux variations of 40 mW m−2 above and below the mean on a time scale of 1 day. As- sume that the thermal conductivity of sediments is 0.8 W m−1 K−1 and the sediment thermal diffusivity is 0.2 mm2 s−1.

PROBLEM 4–33 One way of determining the effects of erosion on subsurface temperatures is to consider the instantaneous removal of a thickness l of ground. Prior to the removal T = T0 + βy, where y is the depth, β is the geothermal gradient, and T0 is the surface temperature. After removal, the new surface is main- tained at temperature T0. Show that the subsurface temperature after the removal of the surface layer is given by

 

How is the surface heat flow affected by the removal of surface material?

PROBLEM 4–39 One of the estimates for the age of the Earth given by Lord Kelvin in the 1860s assumed that Earth was initially molten at a constant tem- perature Tm and that it subsequently cooled by con- duction with a constant surface temperature T0. The age of the Earth could then be determined from the present surface thermal gradient (dT/dy)0. Re- produce Kelvin’s result assuming Tm − T0 = 1700 K, c=1 kJ kg−1 K−1, L =400 kJ kg−1, κ =1 mm2 s−1, and (dT/dy)0 = 25 K km−1 . In addition, determine the thickness of the solidified lithosphere. Note: Since the solidified layer is thin compared with the Earth’s radius, the curvature of the surface may be neglected.

PROBLEM4–43 Themantlerocksoftheasthenosphere from which the lithosphere forms are expected to contain a small amount of magma. If the mass frac- tion of magma is 0.05, determine the depth of the lithosphere–asthenosphere boundary for oceanic li- thosphere with an age of 60 Ma. Assume L = 400 kJ kg−1,c=1kJkg−1 K−1,Tm =1600K,T0 =275K,and κ = 1 mm2 s−1.

PROBLEM 4–52 The ocean ridges are made up of a series of parallel segments connected by transform faults, as shown in Figure 1–13. Because of the dif- ference of age there is a vertical offset on the fracture zones. Assuming the theory just derived is applica- ble, what is the vertical offset (a) at the ridge crest and (b) 100 km from the ridge crest in Figure 4–46 (ρm = 3300kgm−3,κ=1mm2s−1,αv =3×10−5 K−1,T1− T0=1300K,u=50mmyr−1).

PROBLEM 5–7 What is the value of the acceleration of gravity at a distance b above the geoid at the equator (b ≪ a)?

PROBLEM 5–18 A volcanic plug of diameter 10 km has a gravity anomaly of 0.3 mm s−2. Estimate the depth of the plug assuming that it can be modeled by a verti- cal cylinder whose top is at the surface. Assume that the plug has density of 3000 kg m−3 and the rock it intrudes has a density of 2800 kg m−3.

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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