This assignment will require you to do the following in parts:
1. Part 1-read through the nursing situation and create a PICO(T) question using the box provided and using the Nursing Situation Provided here.
2. Provide a brief description of the highlighted databases and why these would be appropriate to answer the PICOT question you identified from the nursing situation (1-2 sentences max for each database)
3. Complete the Table using your PICOT table ensuring to include the following:
a. Use descriptors
b. Identify each of the areas of the table including the descriptors and number of journal articles located in the various databases
4. Include a citation using the Level of Evidence Table-identify 1-2 articles that you located and how it fits the criteria outlined in the Levels of Evidence Hierarchy. Ensure to use APA -NOT A SUMMARY ONLY A CITATION AND WHY IT MEETS THE EVIDENCE TABLE CRITERIA (Use the Level of Evidence Table from your textbook on p. 92
5. One paragraph about theory (The general idea is to recognize and understand how does nursing theory impact EBP?
6. One paragraph about what you learned
Nursing burnout and workload is a complicated issue with far-reaching effects. Nursing burnout and inappropriate nursing workload have been linked to increased risk of urinary tract infection, respiratory infections, decreased patient satisfaction, decreased quality and safety of care, and increased mortality.
The purpose of the project was to decrease nursing burnout on a Medical Progressive Care Unit (MPCU) by moving patients with high workloads and medical instability to a higher level of care. Within this project, Rosabeth Kanter’s Theory of Structural Power was used for the theoretical framework, and the Stetler Model guided the implementation. The intervention consisted of a presentation to Intensive Care Unit (ICU)/ Pulmonary physicians on the correlation between workload, burnout, and other issues pertinent to MPCU such as current turnover rates and the inexperience of the nurses. The project also included a daily workload tool for each patient in the progressive care unit for the first two months in order to gather reliable data for the submitted proposal to improve nurse: patient ratios. The last four weeks of the project consisted of identifying patients at risk for transfer to the ICU due to their medical instability and then calculating the Nursing Activities Score (NAS). The NAS is a validated ICU level nursing workload tool utilized for this project. If the patient reached an ICU level workload of 54 and was deemed ICU appropriate, the goal was to move patients due to their workload and acuity. If the patient could not be moved due to extraneous factors such as lack of nursing staff in the ICU, then the pulmonary consult team, if appropriate, would consult. The Maslach Burnout Inventory (MBI) was utilized to measure burnout
Hollywood Ten Members Distributed: 23rd March, 2015 Disclaimer: This article has been put together by an understudy. This isn't a case of the work composed by our expert article journalists. You can see tests of our expert work here. Any feelings, discoveries, conclusions or proposals communicated in this material are those of the writers and don't really mirror the perspectives of UK Essays. The 1950's are associated with the exceptionally pitched Joseph McCarthy hearings that concentrated on uncovering the comrade supporters and sympathizers that were living in the United States. Notwithstanding, it is essential to look at the social and political changes that started three years earlier with the foundation of HUAC. The House Committee on Un-American Activities, or HUAC, was a panel made and upheld by the United States government that subpoenaed and addressed people of the Hollywood people group as to their claimed socialist affiliations. The gathering that got the most consideration alluded to ten Hollywood screenwriters and chiefs who were set apart as communists while working in the film business amid the late 1940's. This gathering of men, known as the scandalous "Hollywood Ten", was subpoenaed by HUAC on October 1947. The Hollywood Ten guarded themselves amid their hearings by using one of four expository methodologies. (1) They accentuated their unwaveringness and devotion to the United States, (2) they at first participated with HUAC however then declined to answer inquiries because of HUAC's bantering and consistent interferences, (3) they protected themselves by providing HUAC with names of different people with the plan to clear their notorieties, lastly, (4) they counter-assaulted HUAC for their un-American way to deal with the charges. In late October of 1947, there was an across the country crackdown on socialism in America; various students of history look at the comrade infultration in Hollywood, concentrating particularly on the Hollywood Ten. John Cogley's book, Blacklisting: Two Key Documents (1971), battles that boycotting damaged the common freedoms of the people who were asked for to partake in HUAC's listening ability. Cogley took an interest in an examination known as The Fund for the Republic, which was a progression of concentrates that inspected the harm caused by anticommunism. He talked with administrators of the movie business, associations, on-screen characters, columnists and offices to pick up data on how the HUAC hearings disregarded the common freedoms of the individuals who were subpoenaed for affirmed comrade exercises. He contends that the establishing standards of boycotting are not notable and that these missing actualities are imperative to completely understanding why common freedoms were disregarded. This book sees how the common freedoms of those subpoenaed by HUAC were disregarded. Cogley used oral history meetings and government records to help his exploration. This creator does not address the logical systems utilized by Hollywood Ten individuals. A Journal of the Plague Years Stefan Kanfer's book, A Journal of the Plague Years (1973), abridged that the entertainment biz isn't separate from the national condition and that Hollywood work force are more exact understandings of their Era than government officials. Kanfer's examination centers around the excitement calling, especially film and broadcasting, yet addresses boycotting in Hollywood also. This book ha He keeps up that students of history erroneously focus their emphasis on government examinations and their witnesses, for example, HUAC and the Hollywood Ten. The creator trusts that by taking a gander at the excitement calling, one can see every one of the parts of national legislative issues through the eyes of Hollywood personel and not government officials. Kanfer's book upheld this subject by giving foundation data on what was happening in Hollywood and the excitement world amid this time in history and furthermore helped answer the particular reasons why the Hollywood Ten were focused on. Kanfer's exploration included data that was taken from oral accounts, declarations, and government reports. This creator does not address the expository methodologies utilized by Hollywood Ten individuals. The Inquisition in Hollywood: Politics in the Film Community In the book, The Inquisition in Hollywood: Politics in the Film Community, 1930-1960 (1979), composed by Larry Ceplair and Steve Englund, the writers keep up that as the circumstances transformed from 1940's progressivism to the 1950's McCarthy period. Those saw as Hollywood activists would be practical objective for comrade hypothesis, because of their radical exercises in the Hollywood people group. Ceplair and Englund took a gander at the political and expert settings of the Hollywood Ten; they assert that numerous students of history disregard the thought at how fruitful the Hollywood Ten were as radicals; since they were not able make organizations together with liberals. As per these two students of history, those that were focused in the late 1940's had spent just about two decades professionally and fiscally taking an interest in a large group of dynamic and radical causes. Ceplair and Englund's book added to this exploration by talking about the significance of the radical action the Hollywood Ten individuals were included with before they were subpoenaed by HUAC. The data that was accumulated for their exploration on this specific subject originated from neighborhood and national daily papers, leaflets for national intrigue gatherings, and government data documents. This creator does not address the expository techniques utilized by Hollywood Ten individuals. Victor Navasky in Naming Names (1980) attests that by taking a gander at the HUAC sources, one can pick up a more precise comprehension of the states of the era. The 1940's, a period, he depicts was one where great men did things they knew weren't right, for example, selling out their kindred companions to spare themselves from the social disgrace that accompanied being marked as a comrade. Navasky keeps up that the political arrangement of the 1940's was depicted as a framework that disregarded the estimations of a Republic and saw particular American residents as foes of the state. This creator does not address the logical procedures utilized by Hollywood Ten individuals. Navasky's data for his exploration was ordered however the utilization of oral narratives, interviews, and political reports. Hoover and the Un-Americans: The FBI, HUAC, and the Red Menace Kenneth O'Reilly's book, Hoover and the Un-Americans: The FBI, HUAC, and the Red Menace (1983), presumes that the FBI's association with HUAC advanced the anticommunist development by working with HUAC. O'Reilly declares that the movement of hostile to socialism was quickened through the FBI's association with HUAC. In view of their revealing of socialist action in Hollywood, FBI sources were hustling to show up before the board of trustees and affirm against charged communists. The help of the FBI in the chase for socialism elevated the force of distinguishing comrade invasion and additionally expanding the energy of HUAC amid these hearings. O'Reilly's exploration helped the investigation of this theme by giving foundation data of the FBI witnesses who helped HUAC in the hearings against the Hollywood Ten. Amid his investigation, O'Reilly utilized government records, certain optional sources, declarations, and The Freedom of Information Act for FBI documents concerning witnesses of the HUAC hearings. This creator does not address the logical techniques utilized by Hollywood Ten individuals. Otto Frederich in City of Nets: A Portrait of Hollywood in the 1940's Otto Frederich in City of Nets: A Portrait of Hollywood in the 1940's (1986), exhibits how amid the beginning of WWII, Hollywood natives all held varying social, political, and social perspectives of Hollywood. He contends that dissimilar to different history specialists, he wouldn't like to exclusively center around individual meetings since he feels that claimed socialist associates have officially talked about their hardships and connections with HUAC. To help to his hypothesis, Friedrich read more than five-hundred books extending from insightful examinations to investigations of diaries to demonstrate that the perspectives of each person of the Hollywood Ten and HUAC was totally and particularly extraordinary. Frederich's broad research of this theme is vital to this paper since it gives various contemplations and thoughts of individuals who have expounded on the Hollywood Ten and this specific day and age. Frederich likewise utilized auxiliary wellsprings of past history specialists to discover essential hotspots for his exploration. This creator does not address the explanatory procedures utilized by Hollywood Ten individuals. Neil Gabler's book, An Empire of Their Own Gabler's book, An Empire of Their Own (1988), proposes that individual individuals from the Jewish populace in Hollywood, were widely engaged with ability organizations and motion picture preparations, and after that focused by Red-Baiters because of the conviction that Judaism was an assortment of socialism. Gabler sees the Hollywood Jewish people group as a homogenous gathering that helped construct the film business. He contends that since Jews were not socially acknowledged, they needed to make their own realm through film and generation organizations. The movies made by these offices had the essential objective of depicting American qualities through the eyes of the Jewish people group. This history specialist reasons that because of the Jewish people group making this domain, films characterized American estimations of the era. This book gave an intensive comprehension of the Jewish people group in Hollywood; most of the Hollywood Ten individuals were Jewish and this book enlightened why there was a shame put on the Jewish people group. Gabler used oral accounts, optional sources, and motion picture/film audits to help his examination for this subject. This creator does not address the logical procedures utilized by Hollywood Ten individuals. A Critical Study of the Hollywood Ten Bernard Dick, in his>GET ANSWER