Search for poetic devices and note their effect. Common devices include alliteration, allusion, assonance, consonance, dissonance, enjambment, imagery, irony, metaphor, simile, and personification.
Search for poetic devices and note their effect. Common devices include alliteration, allusion, assonance, consonance, dissonance, enjambment, imagery, irony, metaphor, simile, and personification.
Poetic devices are literary techniques used to create rhythm, enhance a poem's meaning, establish mood, and engage the reader's senses.1
| Device | Description | Effect |
|---|---|---|
| Alliteration | Repetition of consonant sounds at the beginning of words in close succession (e.g., "Peter Piper picked"). | Creates a musical rhythm and flow; makes lines more memorable; can emphasize certain words or create a mood (e.g., soft sounds for peace, harsh sounds for tension). |
| Assonance | Repetition of vowel sounds within words that are near each other (e.g., "The rain in Spain stays mainly in the plain"). | Creates a subtle internal musicality and smooth rhythm; can highlight important words or create a desired mood (e.g., long vowels for a slow, mournful mood). |
| Consonance | Repetition of consonant sounds within or at the end of words in close proximity (e.g., "pitter-patter" or "blob of clab"). | Adds texture and density to the language; creates a strong rhythmic foundation, often lending a slightly percussive or powerful feel. |
| Dissonance | A deliberate use of harsh, clashing, or inharmonious sounds or rhythms, often created by a difficult combination of consonants or uneven stress. | Creates a sense of tension, discomfort, unease, or inner turmoil; reflects the harshness or fractured nature of the poem's subject matter. (Similar to, but broader than, cacophony). |
| Device | Description | Effect |
|---|---|---|
| Imagery | Use of descriptive language that appeals to the five senses (sight, sound, touch, taste, smell) to create mental pictures. | Engages the reader's senses and imagination; makes abstract ideas concrete; evokes specific emotions and sets a vivid scene. |
| Metaphor | A direct comparison between two unlike things without using "like" or "as" (e.g., "The moon was a silver coin"). | Creates a powerful identity between the two things, enriching meaning and forcing the reader to view the subject in a new, often profound, way. |
| Simile | A comparison between two unlike things using the words "like" or "as" (e.g., "The runner was as fast as a cheetah"). | Clarifies an unfamiliar idea by relating it to something familiar; provides vivid illustration and adds poetic grace. |
| Personification | Giving human qualities or actions to inanimate objects, abstract ideas, or animals (e.g., "The wind whispered secrets"). | Makes descriptions more dynamic and relatable; brings objects to life and helps connect the reader emotionally to non-human elements. |
| Allusion | An indirect reference to a person, event, or well-known work of literature, history, or mythology. | Economically adds depth and context by tapping into the reader's shared cultural or literary knowledge, often enriching the theme or character. |
| Device | Description | Effect |
|---|---|---|
| Enjambment | The continuation of a sentence or clause from one line of poetry to the next without a pause or punctuation. | Creates a sense of momentum, urgency, or forward movement; compels the reader to continue to the next line; can be used to create surprise or emphasize the word placed at the start of the following line. |
| Irony | A contrast between what is expected or what appears to be, and what actually is. | Creates emphasis, humor, or a sense of tragedy; often highlights the absurdity or complexity of human experience by subverting the reader's expectations. |
Poetic devices are literary techniques used to create rhythm, enhance a poem's meaning, establish mood, and engage the reader's senses.1
| Device | Description | Effect |
|---|---|---|
| Alliteration | Repetition of consonant sounds at the beginning of words in close succession (e.g., "Peter Piper picked"). | Creates a musical rhythm and flow; makes lines more memorable; can emphasize certain words or create a mood (e.g., soft sounds for peace, harsh sounds for tension). |
| Assonance | Repetition of vowel sounds within words that are near each other (e.g., "The rain in Spain stays mainly in the plain"). | Creates a subtle internal musicality and smooth rhythm; can highlight important words or create a desired mood (e.g., long vowels for a slow, mournful mood). |
| Consonance | Repetition of consonant sounds within or at the end of words in close proximity (e.g., "pitter-patter" or "blob of clab"). | Adds texture and density to the language; creates a strong rhythmic foundation, often lending a slightly percussive or powerful feel. |
| Dissonance | A deliberate use of harsh, clashing, or inharmonious sounds or rhythms, often created by a difficult combination of consonants or uneven stress. | Creates a sense of tension, discomfort, unease, or inner turmoil; reflects the harshness or fractured nature of the poem's subject matter. (Similar to, but broader than, cacophony). |