Do you see a policy consistently causing difficulty for your clients and their families? Is a policy oppressive to a specific population or community? Analyzing such a policy will give you a framework from which to develop a relevant advocacy campaign to educate, empower, and initiate change.
In this first of two assignments, you will select a currently enacted state or national social welfare policy and write a critical analysis of the policy utilizing the Blau and Abramovitz (2014) policy analysis framework and Gabel (2014) rights-based approach to social policy analysis. Your analysis should include the five key forces identified in the text as shaping social welfare policy: history, economy, politics, ideology, and social movements, as well as human right principles: participation, accountability, nondiscrimination, and equality. The conclusion will summarize strengths and weaknesses of the policy, and offer possible recommendations for policy modification or support for a new bill to fill gaps. (4-5 double-spaced pages in APA style)
The Policy Analysis paper should address the following:
Identification of social issue/problem and social welfare policy (1 page)
Identify and briefly describe a social issue/problem and a state or national social welfare policy designed to address it. Briefly define the policy.
Identify rights violated or compromised by the social issue, using:
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'Photography has played a disputable yet a vital part in expressions of the human experience throughout the previous 150 years'. The inquiry is still discussed whether photography is a workmanship or a type of documentation seen by the eye rather than the psyche. Since its beginnings, photography, as a work of art has been scrutinized the view is that photography isn't a craftsmanship, yet a type of mechanical multiplication, it was criticized as being more innovative than imaginative. Dadaists, interestingly, grasped photography, making the most of its cutting edge methods for creation. Their trials with the medium incorporate utilization of twofold exposures, radical viewpoint, and offbeat subjects. Dadaists additionally tried different things with photogram's, camera-less photographic prints that record the arrangement of items on photosensitive paper that has been presented to light; these are among a portion of the most punctual conceptual photos. The Dadaists were the primary specialists to surrender customary materials and techniques.Raoul Haussmann, John Heartfield, and Hannah Hoch designed photograph montage a composition of isolated photos that is re-captured with the goal that the last picture is changed over again into a consistent photographic print. The first point of the Movement was far expelled from the universe of craftsmanship, and was essentially political in nature. To its supporters Dada was not workmanship, it was hostile to craftsmanship, and for everything craftsmanship remained for dada was to speak to the contrary they needed to influence all parts of Western development, to participate in the progressive changes which were the inescapable aftereffect of the disarray of the First World War They were not intrigued by painting pictures which people in general would appreciate in a disconnected way, they needed to incite the general population into responding to their exercises. To the Dadaists, a savagely negative response was superior to a uninvolved acknowledgment. The work of art comprised of photomontages compositions, commercials, montages, verse, expositions, handouts and mixes of different fine arts.'' Dada affected relatively every imaginative standard within recent memory''. Dissents in the US amid the 1960s replicated those of the Dadaists amid and after the World Wars. Dada specialists grew new strategies of composition and montage and spearheaded the utilization of materials, for example, news sections and postcards in their works. A weaving together of photos and paper to make another masterful picture The principle agents of Dadaism were Hans Arp, Marcel Duchamp, Hugo ball, Francis Picabia, Max Ernst, Raoul Haussmann, Man Ray, John Heartfield Marcel Janco, Kurt Schwitters, Hannah Hoch, Sophie Taeuber Arp. Max Ernst conceived in Germany, 1891-1976 enlisted at Bonn University in 1909 and considered logic, craftsmanship history, writing, brain research and psychiatry. In 1914 he met Hans Arp an author individual from Dada in Cologne. The two before long progressed toward becoming companions and their fellowship went on for a long time. With the upheaval of the First World War Ernst was recruited to the armed force,, He battled in France and Poland, in his collection of memoirs he alluded to his chance in the armed force "On the first of August 1914 Max Ernst kicked the bucket. He was revived on the eleventh of November 1918'which recommends to me, that a piece of himself kicked the bucket when he enrolled in the war, which began on Aug first and that the day the war finished eleventh Nov he felt he'd woken up once more .His work of art mirrored his encounters in fight utilizing military photos as source material for photomontages and considering he contemplated brain science and craftsmanship history in University , viciousness and ruthlessness were presumably no impression of the man he was. Sticking together pictures of planes or bombs with people,' Collage is the abuse of the shot gathering of two removed substances on a new plane..." - Max Ernst, 1919 The Punching Ball or the Immortality of Buonarroti 1920 Self Portrait Photomontage, gouache, and ink on photo 'Painting isn't for me either embellishing beguilement, or the plastic creation of felt reality; it must be without fail: innovation, disclosure, disclosure.' Max Ernst. Man Ray conceived Emmanuel Radnitzky1890-1976 an American picture taker and painter brought up in New York Beginning as a business craftsman in New York, he showed himself photography to repeat his artworks and blended media. Man Ray, was the Dadaist most dedicated to photography, he relinquished painting inside and out, and devoted his craft making after 1918 to film and photography. He had his first solo show of artistic creations and illustrations in 1915. His first Dada-style work, a collection he called "Self-Portrait", was appeared in 1916. In the wake of meeting Marcel Duchamp, he established the American branch of the Dada development. The New York Dadaist's had a tendency to be more idealistic than their European partners. Dadaist thoughts were not by any stretch of the imagination acknowledged by New Yorkers and Man Ray left America to live and work in Paris in 1921, he set up a photography studio and started making photogram's, which he called "Rayographs." These "Rayographs" abridge the quintessence of Dadaism and Surrealism. His examinations with photography included rediscovering how to make "camera less" pictures. He made them by putting objects straightforwardly on light-delicate paper, which he presented to light and created them In Paris he made one of his best known Dadaist fine arts: "Indestructible Object" (1923), a metronome with a photograph of an eye appended to its clicking arm. specialists, for example, James Joyce, Gertrude Stein, and Jean Cocteau modeled for Man Ray's camera. At the point when Dada dispersed, Ray was at that point a functioning Surrealist 'Man Ray's negative representation of Jacqueline Goddard (1930) initialed by the picture taker in pencil, is one of the photographic artist's numerous pictures of ladies. Printed from an auto chrome, instead of a customary negative, the auto chrome, utilized instead of a negative amid the printing procedure, yielded a photo with switched tones and a diffuse glow. Man Ray pivoted the photo to 90 degrees, so Goddard who had been resting amid the sitting, shows up in the completed print to coast in space with her hair spilling significantly behind her' John Heartfield conceived Helmut Herzfeld 1891 - 1968 was a German photomontagist, artist, typographer and stage fashioner' John Heartfield and his kin were relinquished by their folks his mom, a political dissident, and his dad, a communist essayist needed to escape Germany to maintain a strategic distance from oppression for their political convictions. The kids were brought by relatives and up in establishments From 1907 to 1911 John Heartfield examined craftsmanship at the Königliche Kunstgewerbeschule in Munich , represent considerable authority in publication plan. In the mid year of 1916, Germany had been utilizing a hostile nationalistic trademark: "Gott Strafe England" or May God Punish England. This enraged Helmut who challenged by changing his name to John Heartfield. John Heartfield assumed a noteworthy part in the Dada Movement, he took in systems and styles from numerous different craftsmen who communicated their political thoughts through craftsmanship. His encounters in World War I drove him to presume that the main commendable workmanship, was what assessed social substances. He saw a nation of eager, destroy individuals amidst mayhem amid the Second World War, and through his craft, challenged their agony. He adopted a snide strategy, censuring the counter semite and the affluent industrialists who bolstered the German armed force The vast majority of his profession was spent proclaiming his resistance to Hitler and the Nazi Regime and he utilized his specialty to challenge the rough, ravenous administrative control of the Nazi party. His politically charged photomontages were prohibited in his nation of origin amid the Nazi administration In 1939 the Arcade Gallery in London indicated one of Heartfield's most acclaimed presentations, 'One Man's War against Hitler' . This piece is Hearfield's elucidation of the Nazi military trademark. Blood dribbling from the swastika induces that the military (weapons and warriors) was all Germany required for triumph. Bismarck had expressed that the German individuals would be changed through a blend of blood and iron. Heartfield's 1934 photomontage demonstrates how this was to be translated actually As I would see it Dada was an extreme work of art that tested Adolf Hitler and the Nazi administration. Dadaists were the first to utilize photography to make photomontage pictures which made unmistakable to the world the savagery, lip services and confusion of the war and unrest. They utilized their craft and photography as a weapon to express their political disappointment. They weaved together in their photomontages and compositions, their musings and encounters and relationship with the earth and culture they saw amid their lifetime. Dada appear to me to have been a gathering of individuals who stood up a battled back against autocracy and mistreatment. 'While the roar of weapons came out there, we sang, painted, stuck and formed for all our value. We are looking for a craftsmanship that would mend humankind from the frenzy of the age.' Jean Arp The photomontage pictures were made by taking different negatives of photographs and stacking them together to make another photograph or picture. It is two dimensional with, no viewpoint or brought together perspective. Present day innovation today gives us Photoshop and other imaginative programming to make photomontage pictures, layering and combining photos to make new pictures.>GET ANSWER