You and a partner (if you choose) will be assigned a topic area in communication. Your mission is to investigate how this area has been considered from scientific(post positivist) paradigmatic perspectives. Now, chances are extremely good that your area has not been investigated (at least not thoroughly) from each major perspective. So, your secondary mission is to propose how your area could be investigated from the neglected perspective(s). For example, if you can find no critical work in your area, what would a critical study look like if you were to conduct one?
In preparation for this assignment, revisit Hanna (1991), Anderson and Baym (2004), Harrington et al. (in press), and the core articles from class sessions on the scientific perspectives; also consider looking for systematic reviews or meta-analyses in your topic area to give you direction. Obviously, the topic areas are very broad, so clearly, to do a thorough review, you are going to have to narrow your focus a bit. But don’t get so narrow as to restrict your ability to find adequate literature. Please consult with me if you need guidance.

Literature search: Search the literature to identify research that has been published on your topic within each major metatheoretical paradigm. Focus your search however you wish, but be smart about it. Being smart includes choosing articles that reflect current, as well as foundational, literature. This assignment is meant to be useful to you, so if all your articles (including meta-analyses and systematic reviews) are old enough to vote, there’s a problem. Note, too, that you should directly search the literature, not rely on the reference lists of any meta-analyses or systematic reviews you find.
Analyze how your area has been investigated from each major metatheoretical perspective (scientific), focusing your analysis at the level of the research study. Analyze and clearly describe in writing how the metatheoetical perspective is evident in the execution of the research study as reported in each article, noting strengths and weaknesses of each approach as evident in the results of each study. If a particular metatheoretical perspective is not evident in the literature, speculate how research in your area could be guided by that perspective, suggesting questions that could be asked and, again, noting the strengths and weaknesses resulting from said metatheoretical approach. You are limited only by your creativity and a strict page limit of 10 pages of actual text. In your introduction, provide a description of your literature search strategy and its results.

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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