“why” explanation behind your thesis, and “how” do you plan to demonstrate this as you analyze the artwork in detail throughout the body of your paper?

Drawing upon examples of creative expression (e.g., film, short story, music, humor) featured in class as well as insights offered through other course materials (especially the week 5 articles on assimilation, the melting pot, and cultural pluralism), address

the following interrelated questions: how do individuals in selected materials react to “being American” (or in cases involving recently arrived immigrants, “becoming American”)? Is such an identity static, as if the individuals in question followed a pre-existing rule book on how to be “American?” Or, is this identity treated as existing in a state of being “in-progress,” where “American-ness” is actively constructed and molded by individuals into a form that reflects a more personalized, rather than conformist, approach towards American identity? Please explain.

Discuss the following:

• Taqwacore: the Birth of Punk Islam (In your analysis of this film, discuss at least 3 specific scenes / events, explaining how they demonstrate the point you are trying to make in regards to your answers to the questions above. Focus your analysis on the South Asian American members of the Kominas / Noble Drew.)

AND, select 1 of the following 3 items to also analyze in your paper (along with the Taqwacore documentary)

• ITEM 2 – Resist and Exist’s song “Assimilation” (composed by Korean American immigrant singer-songwriter Jae Lee) and Chris Iijima / Joanne Nobuko Miyamoto / Charlie Chin’s song “We Are the Children” (composed by Iijima and Miyamoto) [Refer to at least 2 different sections of a song—for example, analyze key lyrics at the beginning and then key lyrics near the middle of “Assimilation.” Then, do something similar for “We Are the Children.” Focus your analysis on the perspectives of the composers as expressed in their song lyrics.]

• ITEM 3 – Tien Tran’s comedy routine featured in the video clip entitled “When the Teacher Doesn’t Even Try to Pronounce Your Name” [Discuss at least 3 different jokes. Focus your analysis on Tran’s content throughout the entire video (and not just the jokes related to her name).]

• ITEM 4 – Carlos Bulosan’s “Be American” [Discuss at least 3 specific scenes from the short story, explaining how they demonstrate the point you are trying to make. – Focus your analysis on the reactions/behavior of the fictional character Consorcio.]

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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