There have been significant changes in the British countryside since World War II.
These are linked particularly to the modernisation and intensification of farming
(the major rural land use), growing recreation and diversification pressures
(tourism now makes a greater contribution to the national economy than farming),
counter-urbanisation (particularly since the 1970s) and rising environmental
concerns (from the 1960s especially). The impacts of agricultural change are
particularly significant. In some areas there have been major landscape losses as
hedgerows and buildings have been removed, land drained and features such as
marshlands, moorland and heathland reclaimed and converted to other uses. In
order to safeguard the countryside against further extensive damage the
government and other bodies have been working to integrate agricultural and
conservation objectives.
The aim of this part of the module is to allow you to look at the way in which the
countryside has changed since 1945, the main factors responsible for these
changes and the ways in which national policies may shape the future countryside.
To do this you will need to consider the broad landscape types that occur in Great
Britain and their major ecological and cultural characteristics.
Research preparation and assessment
Essay title: Using a British landscape feature or type from the list
supplied, critically evaluate how and why it has changed since 1945, its
future prospects and the significance for countryside conservation.
To prepare for your essay you will need to select and research a specific landscape
feature or type found in Britain. These include the following:
‘Natural’ Woodlands’
You should consider the following aspects when researching and writing your
essay. These points will also form the basis for small group discussions in the
classes, as indicated below:
(1) What are the key characteristics of your chosen feature? What are its
conservation values? Do different types exist? Where is it found?
Please collect relevant images of your feature. [Discussion A]
(2) What are the changes that have occurred to your feature since 1945?
What are the significance of these changes for conservation? How has
the spatial distribution of your feature changed? Please collect
relevant maps and statistics. [Discussion B]
(3) What are the factors which have been responsible for these changes
to your feature? Please ensure you consider the relevant policy and
social as well as technical/physical process influences.
[Discussion C]
(4) How is your feature likely to change in the future? Please provide
justification for your suggestions. [Discussion D]

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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