Shaping is a procedure used in ABA to teach a behavior not currently in the clients repertoire. We begin by identifying a prerequisite skill the client is capable of performing. Successive approximations are designed to produce a series of gradually changing response classes each response class is a successive approximation toward a terminal behavior.

Consider five-year-old Sammy: Sammy, the lucky little boy, has been asked to sing “America the Beautiful” at his kindergarten graduation. His kindergarten teacher has informed you that it is your responsibility to teach him this song. (Little does the teacher know that you cannot carry a tune in a tin bucket!) But because you are a skilled behavior analyst, you know that you will be able to teach Sammy his song using shaping techniques.

Instructions
For this assignment you will:

Identify Sammy’s starting behavior.
Create a minimum of five successive approximations to reinforce behavior. Identify the terminal behavior.
Discuss the role that differential reinforcement will play in your shaping process.
Describe the motivating operations (MO) you plan to use, and explain how they may affect Sammy’s progress as he learns the song.
Discuss, in your proposed plan, compassionate and ethical considerations in line with the and BACB’s .
Finally, discuss how you might inadvertently shape some undesirable behaviors as you work with Sammy and what you might be able to do to avoid those unwanted behaviors.

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Sample Answer

Sample Answer

Shaping Sammy’s Singing Skills: A Behavior Analytical Approach

Identifying Sammy’s Starting Behavior

Sammy’s starting behavior is his ability to sing a few basic notes or sounds. Since he is only five years old, he may not have the complete ability to sing “America the Beautiful” fluently. He might be able to hum or sing simple nursery rhymes, but he has not yet developed the skills necessary to perform this specific song.

Successive Approximations and Terminal Behavior

Terminal Behavior: Sammy will be able to sing “America the Beautiful” with correct lyrics and melody when prompted.

Five Successive Approximations

1. Approximation 1: Sammy hums the melody of “America the Beautiful.”

– Reinforcement: Praise and encouragement for any attempt at humming the tune.

2. Approximation 2: Sammy sings the first line of the song (e.g., “O beautiful for spacious skies”) using the correct pitch but may miss some notes.

– Reinforcement: Provide immediate verbal praise and perhaps a small reward (like a sticker) for singing any part of the song.

3. Approximation 3: Sammy sings the first line with correct lyrics and melody but is still hesitant or quiet.

– Reinforcement: Use enthusiastic praise and a high-five, encouraging him to sing louder.

4. Approximation 4: Sammy sings the first two lines correctly and confidently.

– Reinforcement: Celebrate his progress with more significant rewards like extra playtime or a special treat.

5. Approximation 5: Sammy sings the entire song, albeit with minor errors in pitch or timing.

– Reinforcement: Acknowledge his effort and performance with a significant reward, such as a small gift or special recognition, emphasizing his achievement.

Role of Differential Reinforcement

Differential reinforcement will be crucial in shaping Sammy’s singing behavior. By selectively reinforcing only those behaviors that are closer to the terminal behavior while withholding reinforcement for less desirable responses (e.g., mumbling or singing off-key), we encourage Sammy to engage in behaviors that lead him toward successfully singing “America the Beautiful.” This approach helps to refine his skills incrementally, ensuring that he receives positive feedback as he progresses through each successive approximation.

Motivating Operations (MO)

To enhance Sammy’s learning experience, I will implement several motivating operations:

– Social Reinforcement: Knowing that performing at his kindergarten graduation is a significant event may serve as a natural motivator for Sammy. The anticipation of receiving applause and praise from family, friends, and peers can motivate him to practice more diligently.

– Tangible Rewards: Offering tangible rewards (like stickers or small toys) for completing specific tasks related to singing can enhance his motivation. Creating a visual chart to track his progress can also provide motivation as he sees how far he’s come.

– Emotional Support: Encouraging Sammy through positive affirmations and expressing excitement about his performance can foster a supportive environment that boosts his confidence.

Compassionate and Ethical Considerations

It is essential to adhere to ethical guidelines set forth by the Behavior Analyst Certification Board (BACB). Key considerations include:

– Informed Consent: Ensure that Sammy’s parents are informed about the teaching method and agree to these procedures.

– Respecting Sammy’s Autonomy: Allowing Sammy to express his feelings about singing; if he shows discomfort, it may be necessary to adjust our approach accordingly.

– Positive Reinforcement Focus: Emphasize positive reinforcement rather than using punitive measures, ensuring that Sammy feels supported throughout the learning process.

– Individualization: Tailor the teaching process to meet Sammy’s unique needs, taking into account his interests and preferences.

Avoiding Undesirable Behaviors

While focusing on shaping Sammy’s singing behavior, it is possible to inadvertently shape undesirable behaviors, such as avoidance or frustration if he feels overwhelmed.

Strategies to Avoid Undesirable Behaviors:

1. Pacing: Monitor Sammy’s comfort levels and adjust the pace of learning based on his reactions. If he seems frustrated at any point, it may be beneficial to slow down and revisit earlier approximations.

2. Immediate Feedback: Provide immediate and constructive feedback during each session to ensure that Sammy understands what he is doing well and where he can improve without feeling discouraged.

3. Create a Fun Environment: Ensure that singing remains enjoyable rather than a chore. Incorporate games or playful singing activities to maintain his interest and enthusiasm.

4. Emotional Check-ins: Regularly check in with Sammy about how he feels about practicing and performing. If he expresses anxiety or discomfort, address those feelings directly and adjust expectations accordingly.

By employing these strategies within a compassionate framework, we can effectively teach Sammy to sing “America the Beautiful” while fostering an enriching and supportive learning environment.

 

 

 

 

 

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