Read the prompt below and follow the directions to complete your writing assignment. Your written response must be at least 500 words and double-spaced. Include a word count at the end of your response. The word count should not include the heading of your assignment (your name, the date etc.)

Plagiarism will result in getting a zero on the assignment. Do not copy/paste from a website or copy the response of another student. Folio is integrated with TurnItIn which can automatically detect plagiarism. For this class, do not include any quotations in your assignments. Everything you submit must be in your own words.

Prompt:
Sociosexual orientation refers to individual differences in the tendency to prefer either unrestricted sex (without the necessity of love) or restricted sex (only in the context of a long-term, loving relationship). Read the following Wikipedia page about sociosexuality: https://en.wikipedia.org/wiki/Sociosexuality

Your written response should include the following:

Identify one celebrity or well-known fictional character who is restricted in their sociosexuality. Give arguments for why you believe this person to be restricted in their sociosexuality.
Identify one celebrity or well-known fictional character who is unrestricted in their sociosexuality. Give arguments for why you believe this person to be unrestricted in their sociosexuality.

 

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Sample Answer

Sample Answer

 

 

 

 

Sociosexual Orientation in Celebrity and Fictional Characters

Restricted Sociosexuality: Hermione Granger

Hermione Granger, the beloved character from the “Harry Potter” series, exemplifies restricted sociosexuality. Throughout the series, Hermione’s focus is primarily on her academic pursuits, loyalty to her friends, and fighting against injustice. Her interactions with others, particularly in romantic contexts, are characterized by caution, emotional depth, and a preference for long-term connections. Hermione’s commitment to values such as loyalty, trust, and emotional intimacy aligns with the characteristics of restricted sociosexuality. She prioritizes meaningful relationships built on trust and emotional connection, rather than seeking casual or short-term encounters. Hermione’s hesitance to engage in frivolous relationships without emotional depth underscores her restricted sociosexual orientation.

Unrestricted Sociosexuality: James Bond

James Bond, the iconic fictional character known for his charm, wit, and espionage skills, embodies unrestricted sociosexuality. Throughout the James Bond film series, the character of James Bond is portrayed as a suave and charismatic secret agent who engages in numerous casual sexual encounters with various partners. His lifestyle is characterized by a preference for excitement, thrill-seeking behavior, and a lack of emotional attachment in his sexual relationships. James Bond’s willingness to engage in short-term, non-committal sexual encounters without the need for emotional intimacy or long-term commitment reflects the traits associated with unrestricted sociosexuality. His persona as a seductive womanizer who moves from one romantic conquest to another underscores his unrestricted sociosexual orientation.

In conclusion, the characters of Hermione Granger and James Bond exemplify contrasting sociosexual orientations in popular culture. While Hermione embodies restricted sociosexuality through her emphasis on emotional connection and meaningful relationships, James Bond represents unrestricted sociosexuality with his casual attitude towards sex and lack of emotional involvement in his encounters. Through these characters, we can observe how sociosexual orientation influences fictional portrayals and shapes the dynamics of relationships and interactions within narratives.

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