Read this entire section before beginning the assignment. You will need this information for your final presentation.
The Broadway audience plays an important role in the life—or death!—of a musical. The reasons for choosing to see one musical over another may be quite diverse from person to person. The reasons may be emotional or intellectual or a combination of the two. These reasons may also reflect the common interests of a group or community. [In other words, the current social, political and economic issues of a certain period greatly influence the type of musical the general audience wishes to see.]
Imagine I have given you imaginary money, and the amount is just right for purchasing one ticket to 3 individual Broadway shows. Throughout the semester, you will decide which shows you want to see based on a dance from the show.
Pick #1 – Due Sunday by 11:59pm
• View the following three videos.
• Choose your favorite video to analyze for your “Broadway Dance Video Analysis.”
Part 1 – View your video and take notes
A. Watch the dance you chose.
B. Write down notes of your first impressions. (These are just your notes and do not need to be included in your assignment submission.)
C. Use your growing list of dance influences as a resource. Watch the dance a second (3rd? 4th?) time to determine which people, dance genres, dance styles and steps influenced the dance in your video.
[Note: all of the above leads to notes for the written analysis, which begins below…]
Part 2 – Write your analysis of the dance, including the following:
A. Show Information*

  1. Name of show (year it opened on Broadway) – Show names are always in italics
  2. “Name of song(s)/dance number(s)” – Song/dance title(s) in quotation marks. IMPORTANT NOTE: If there is more than one dance number in the video, you must name and analyze both!
  3. APA citation for video. See Writing & Citing Guidelines – APA in your Course Home. To get video info, click on the video, then click the YouTube icon on the bottom right to “View on YouTube.”
  4. Choreographer(s)
  5. Dancers – If there is a large company of dancers, list the lead(s) followed by “and Company”, e.g. Dancers: Chita Rivera and Company.
    *You may need to do some detective work to find all of the above show info. Here is a GREAT resource: ibdb.com
    B. Comments about what makes this dance special – Write a paragraph about why you like the dance you chose. Include details. [“Energetic and upbeat” is great, but not specific enough. “The way the dancers kicked their legs, with such energy, like they were punting footballs…” is much better, more descriptive. Please avoid using “a lot”, which is slang for “many”, “quite a few”, “a large amount”, etc.] Be sure to write about the dancing and what you found interesting, compelling, innovative, etc. A good strategy is trying to “sell” this dance to a friend, with specific ideas to get your friend excited to see the dance.
    C. Dance Influences – This is the major part of your assessment…
  6. Write a list of at least 4 influences from our content that you see STRONGLY represented in your dance. All significant influences from our course content should be included.
    Influences can include:
    People: Are there choreographers, performers, etc. that we have studied who danced or choreographed dance step phrases or styles that you see in the dance? [Again, “energetic” is too general.]
    Shows: Does your dance strongly remind you of any of the shows we have discussed so far in the course? Why?
    Dance steps/styles: What style(s) or genres of dance do you see in your video? How do you know?
    Concepts: Be careful with this one. Sometimes, a dance can really remind you of an influence in a conceptual way. For example, Master Juba is both an influence as a person and Juba could also be used as a conceptual/structural influence for a dance. [Check your notes!] Precision dance is also considered a concept.
    Your dance may or may not have influences from all of these areas. List only those influences that are STRONGLY evidenced in your dance. A reader–including me–should be able to see, from your description and your example, a direct connection from the dance influence to your dance. Please do not write up a kitchen sink list.
  7. Next to each influence:
    a. Describe characteristic elements of that influence.
    b. Connect elements from each dance influence directly to an example of where you notice them in the dance video. Describe the example and include a timestamp from the video.
    Part 3 – Check your work
    A. Grammar and spelling count for this assignment. Get in the habit of proofreading, or have a friend proofread your work.
    B. Check the rubric! Full points are given only for exceptional work. Remember that the depth of your understanding of all course content can be clearly seen in the depth/quality of your work.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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