It is basic to consider and assess crafted by the craftsmen who have utilized light as the focal mode of their work. An early pioneer of investigations in the sole vehicle of light was Thomas Wilfred. Since 1922, Wilfred's work has been revolved around the imparting of immediate, quiet, stylish encounters with light. Utilizing a progression of engines and crystals to balance light, Wilfred made an active light craftsmanship that he proceeded as an organization, just as making secluded self-governing units that performed themselves. The works were shown in spaces that ran from totally dark show lobbies and exhibitions, to little bureau units planned for the household setting. The cozy and theoretical experience of light was at the time, exceptional to different craftsmen: "another fine art has started its life in our age" (Miller, 1952). This new fine art that Wilfred self-characterized was Lumia, an individual domain of aesthetic practice and reasoning, and proclaimed it to be (with regards to the 1920's) Lumia the "eighth classification of workmanship". Wilfred isolated himself from different gatherings and classifications of craftsmanship, declining any conceivable mix of Lumia to another medium. Keely Orgeman, a caretaker who in 2014 resuscitated crafted by Wilfred at the Yale workmanship display, recommends that this detachment from different expressions made Lumia "rise above any one gathering of craftsmen or their arrangement of interests"(Wilfred et al., 2017). The Historical setting of light that encompassed Wilfred's 1922 introduction execution in the New York Neighborhood Playhouse, was of both mechanical and social hugeness. It had been a little more than 10 years since the presentation of electric lighting in New York, a continuous improvement that would not be finished until the 1930s (Nye, 1990). The presentation of electric lighting was emblematic of social movement: "the disposal of the partitioning line among day and night… was representative of innovation" (Kries et al., 2013). Among this innovative advancement, light itself was increasing further lucidity>