If films often reflect the values, attitudes, hopes, and fears of the societies that make them, we should be able to measure the impact FDR and the New Deal had on the nation through the films of the 1930s. How is that impact evident in the ways “I Am a Fugitive from a Chain Gang” (1932) and “The Grapes of Wrath” (1940) explain the success and failure of their protagonists?

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