Read “VOICES FROM THE CLASSROOM – Three Tips for Teacher Talk” and complete the writing prompt.
Three Tips for Teacher Talk
By Cristina Fontana, first-grade teacher, Guilford, Connecticut
Using effective language in the classroom and when conversing with students is crucial. Below are some guidelines that I keep in mind when I converse with students.
Less is more. I have found that the less I address the whole class, the more students listen when I do address them. Less teacher talk allows for conversations to be more student directed. Student-led conversations foster agency and encourage sharing of ideas.
I have found that proper planning prior to a lesson is what has helped me to talk less. Before a lesson, I plan out the intended learning as well as possible prompting questions to allow students to get to the end goal.
Wait time. It is important to allow adequate wait time after posing a question or asking for student input. Extending my wait time has increased student participation. When we do not allow for proper wait time, the students who take longer to process or compose ideas may get discouraged. Students may also start to think, “I don’t need to think of the answer, Johnny will answer for me.” Wait time slows down the conversation and allows students to process the ideas that are being shared.
Depending on the lesson, I may wait for every student to have an answer to share with the group. Asking students to put their thumbs up on their knees when they have an answer and waiting for each student to do so gives every student the amount of processing time he/she needs to arrive at an answer. This fosters student agency and teaches students that all of their ideas are important and valued.
Ask open-ended questions. When asking closed questions (i.e., yes or no responses) the conversation has nowhere to go. To help me realize when I was using closed questioning, I started audio recording my lessons. I then listened to the questions I asked and thought about how I could change the questions to be more open-ended. For example, rather than asking, “Did the character change?” I would ask, “How did the character change?” That small change can take the answer from a simple yes or no to a discussion or debate.
WRITING PROMPT: Summarize the “Three Tips for Teacher Talk” and how you might implement these strategies in your classroom. Name and explain a tip you might add to the list of three.

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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