Scavenger Hunt—What is Myth?
In two to three sentences, identify something specific (a story, belief, understanding, value) that has been called a myth, but that is not considered a myth according to how we define myth in this class.
Use these items from the Required Learning Materials to make sure you know how myth is defined in this class:
What is Myth? : https://leocontent.umgc.edu/content/umuc/tus/humn/humn351/2232/what-is-myth-.html?ou=848504
Four Genres of Myth: https://leocontent.umgc.edu/content/umuc/tus/humn/humn351/2232/four-genres-of-myth.html?ou=848504
Mythology as Interrelated Stories: https://leocontent.umgc.edu/content/umuc/tus/humn/humn351/2232/mythology-as-interrelated-stories.html?ou=848504

 

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Sample Solution

The definition of myth in this class is based on the four genres of myth that categorize stories by their purpose: cosmogony, explanation, justification and entertainment. However, there are many stories which are commonly referred to as myths but which do not fit into any of these categories. One example of such a story is the Tower of Babel found in the Old Testament. This tale seeks to explain why language diversity exists rather than describing how it came about or justifying its existence, so it does not fit into any one genre from our definition.

Sample Solution

The definition of myth in this class is based on the four genres of myth that categorize stories by their purpose: cosmogony, explanation, justification and entertainment. However, there are many stories which are commonly referred to as myths but which do not fit into any of these categories. One example of such a story is the Tower of Babel found in the Old Testament. This tale seeks to explain why language diversity exists rather than describing how it came about or justifying its existence, so it does not fit into any one genre from our definition.

Rather than belonging to one genre, this tale actually serves as an etiological tale—a type of story which explains why something has happened without necessarily providing an origin for it—which shows that it is more accurately categorized outside our traditional definition for myth. Stories like this demonstrate that some tales often referred to as mythical have a different purpose and structure and should be recognized as such instead of being labeled simply as “myths” without further thought given to what exactly makes them unique.

Ultimately, recognizing differences between various types of folklore helps us better understand each individual type and also strengthen our understanding of what truly constitutes a mythical story according to our course definition. By understanding both how specific tales differ from myths while also learning more about the important characteristics that make up true myths we can expand our knowledge base with regards to mythology in general while still remaining true to our initial definitions surrounding what qualifies as a genuine mythical story.

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