Art from Mesopotamia: Lamassu Statue from the Citadel of Sargon II

by | Mar 26, 2024 | History

It has been suggested that the art of Mesopotamia often contains elements that can be seen as fearsome, militant, or political in nature, while the art of the ancient Aegean is more harmonious, exuberant, and non-threatening. Using your textbook, carefully examine the art from both places.

Ancient Near East (Mesopotamia)
Choose one example from the art of the ancient Near East that either proves or disproves the statement that the art of this region can be seen as fearsome, militant, or political in nature. Capture the image and place it in the Word document provided for this assignment. Provide the following information: The title of the work, its date, its place of origin, a detailed description as to what you see being depicted in the work of art, 3–5 sentences as to the work’s historical value, and 4–7 sentences as to how this work of art proves or disproves the idea that art of this region is fearsome, militant, or political in nature.

The Ancient Aegean
Choose one example from the art of the ancient Aegean that either proves or disproves the statement about the nature of the art from this region—that it is often viewed as harmonious, exuberant, and non-threatening. Capture the image and place it in the Word document provided for this assignment. Provide the following information for each work of art: The title of the work, its date, its place of origin, a detailed description as to what you see being depicted in the work of art, 3–5 sentences as to the work’s historical value, and 4–7 sentences as to how this work of art proves or disproves the idea that art of this region is harmonious, exuberant, and non-threatening.

 

 

 

Sample Answer

Sample Answer

 

Art from Mesopotamia: Lamassu Statue from the Citadel of Sargon II

Title: Lamassu Statue

– Date: 721–705 BCE
– Place of Origin: Citadel of Sargon II, Khorsabad, Mesopotamia

Description:

The Lamassu statue from the Citadel of Sargon II is a colossal winged human-headed bull that guarded the entrance to the palace. The figure combines elements of a human head, a bull’s body, and the wings of a bird, symbolizing protective spirits. The Lamassu is depicted in a standing position, with a bearded human face, muscular body, and intricate details on the wings and mane.

Historical Value:

This statue has significant historical value as it represents the Assyrian culture’s belief in protective deities and supernatural guardians. The Lamassu served as a symbol of strength and power, warding off evil spirits and protecting the palace from harm. Its imposing presence at the entrance signified the might and authority of the ruling monarch.

Proving the Nature of Mesopotamian Art:

The Lamassu statue exemplifies the fearsome and militant nature often associated with Mesopotamian art. Its imposing size, hybrid form, and role as a guardian reflect the region’s emphasis on power, protection, and authority. The presence of such intimidating figures in Mesopotamian art underscores the culture’s inclination towards depicting formidable and political symbols that command respect and evoke a sense of awe.

Art from the Ancient Aegean: The Snake Goddess from Knossos

Title: Snake Goddess

– Date: c. 1600 BCE
– Place of Origin: Knossos, Crete, Ancient Aegean

Description:

The Snake Goddess from Knossos is a Minoan figurine depicting a female figure holding snakes in each hand. She is adorned with a crown, long flowing garments, and intricate jewelry. The figure exudes a sense of serenity and grace, with an aura of mystery and divine power. The snakes symbolize fertility, protection, and renewal in Minoan religion.

Historical Value:

The Snake Goddess holds significant historical value as she represents the Minoan civilization’s reverence for nature, fertility, and feminine divinity. The figurine reflects the artistic sophistication and spiritual beliefs of the Aegean culture, offering insights into their religious practices and societal values during the Bronze Age. The depiction of a powerful female deity challenges traditional gender norms and underscores the importance of women in ancient Aegean society.

Proving the Nature of Aegean Art:

The Snake Goddess figurine exemplifies the harmonious and exuberant nature often associated with ancient Aegean art. The graceful pose, intricate details, and symbolism of fertility convey a sense of tranquility and reverence for nature. Unlike the fearsome or militant imagery found in Mesopotamian art, the Snake Goddess embodies a sense of nurturing energy, spiritual connection, and non-threatening presence that aligns with the Aegean culture’s emphasis on beauty, creativity, and reverence for the natural world.

 

 

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